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Metrical dissonance in Selected Pian...

Yang, Yu-Wen.

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Metrical dissonance in Selected Piano Pieces by Johannes Brahms, with Implications for Performance.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Metrical dissonance in Selected Piano Pieces by Johannes Brahms, with Implications for Performance./
作者:	Yang, Yu-Wen.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2012,
面頁冊數:	100 p.
附註:	Source: Dissertations Abstracts International, Volume: 74-02, Section: A.
Contained By:	Dissertations Abstracts International74-02A.
標題:	Music. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3518198
ISBN:	9781267492296

Metrical dissonance in Selected Piano Pieces by Johannes Brahms, with Implications for Performance.
Yang, Yu-Wen.

Metrical dissonance in Selected Piano Pieces by Johannes Brahms, with Implications for Performance. - Ann Arbor : ProQuest Dissertations & Theses, 2012 - 100 p.

Source: Dissertations Abstracts International, Volume: 74-02, Section: A.

Thesis (D.M.A.)--University of Cincinnati, 2012.

Ambiguity in Brahms's music is often the result of discrepancies between notated and perceived meters. Music theorists have referred to these situations as metrical dissonances. The abundance of metrical dissonance in Brahms's music confuses the listener's perception of meter and creates problems for a performer in determining how to shape musical phrases. The purpose of this document is to apply Harald Krebs's analytical system to discuss metrical dissonances in Brahms's late piano pieces, including Op. 116, nos. 1, 5, and 7, Op. 117, no. 1, and Op. 118 no. 4. Krebs's analytical notation will provide a solution to the confusion arising from the many conflicts between notation and perception in these pieces. The role of tonal, motivic, and formal structures in these metrical conflicts will be addressed, and performance implications will be discussed.

ISBN: 9781267492296Subjects--Topical Terms:

516178
Music.
Subjects--Index Terms:

5

Metrical dissonance in Selected Piano Pieces by Johannes Brahms, with Implications for Performance.
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520 $a Ambiguity in Brahms's music is often the result of discrepancies between notated and perceived meters. Music theorists have referred to these situations as metrical dissonances. The abundance of metrical dissonance in Brahms's music confuses the listener's perception of meter and creates problems for a performer in determining how to shape musical phrases. The purpose of this document is to apply Harald Krebs's analytical system to discuss metrical dissonances in Brahms's late piano pieces, including Op. 116, nos. 1, 5, and 7, Op. 117, no. 1, and Op. 118 no. 4. Krebs's analytical notation will provide a solution to the confusion arising from the many conflicts between notation and perception in these pieces. The role of tonal, motivic, and formal structures in these metrical conflicts will be addressed, and performance implications will be discussed.
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653 $a Metrical dissonance
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