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Poetry as Dreaming, Dreaming as Poet...
~
Wilson, Kevin Michael.
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Poetry as Dreaming, Dreaming as Poetry: The Dialogue Between Dream of the Red Chamber (Hongloumeng {dot}{thorn}{85}{breve}{middot}{93}{macr}{THORN}{Ostrok}, Story of the Stone {dot}{9F}{dstrok}{caron}{A0}{Uhorn}{uml}{middot}{98}) and Middle Tang {tilde}{inodot}{Uhorn}{macr}{94}{90} and Late Tang {breve}{99}{9A}{macr}{94}{90} Poetry, Focusing on the Work of Li He {breve}{9D}{nonjoin}{uml}{dstrok}{80}, Li Shangyin {breve}{9D}{nonjoin}{macr}{95}{86}{caron}{9A}{lstrok}, and Wen Tingyun {breve}{eth}
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Poetry as Dreaming, Dreaming as Poetry: The Dialogue Between Dream of the Red Chamber (Hongloumeng {dot}{thorn}{85}{breve}{middot}{93}{macr}{THORN}{Ostrok}, Story of the Stone {dot}{9F}{dstrok}{caron}{A0}{Uhorn}{uml}{middot}{98}) and Middle Tang {tilde}{inodot}{Uhorn}{macr}{94}{90} and Late Tang {breve}{99}{9A}{macr}{94}{90} Poetry, Focusing on the Work of Li He {breve}{9D}{nonjoin}{uml}{dstrok}{80}, Li Shangyin {breve}{9D}{nonjoin}{macr}{95}{86}{caron}{9A}{lstrok}, and Wen Tingyun {breve}{eth}{plusmn}{macr}{eth}{Uhorn}{dot}{Uhorn}{A0} =/
其他題名:
{uml}{flat}{flat}{tilde}{eth}{OElig}{macr}{THORN}{Ostrok}{candra}{ohorn}{8C}{macr}{THORN}{Ostrok}{tilde}{eth}{OElig}{uml}{flat}{flat}{candra}{ohorn}{9A}{dot}{thorn}{85}{breve}{middot}{93}{macr}{THORN}{Ostrok}{uml}{88}{87}{tilde}{inodot}{Uhorn}{breve}{99}{9A}{macr}{94}{90}{uml}{flat}{flat}{breve}{Uhorn}{8C}{dot}{9A}{84}{macr}{mllhring}{joiner}{uml}{flat}{lstrok}{candra}{ohorn}{8C}{macr}{81}{thorn}{caron}{87}{joiner}{breve}{9D}{nonjoin}{uml}{dstrok}{80}{candra}{ohorn}{8C}{breve}{9D}{nonjoin}{macr}{95}{86}{caron}{9A}{lstrok}{candra}{ohorn}{8C}{breve}{eth}{plusmn}{macr}{eth}{Uhorn}{dot}{Uhorn}{A0}.
作者:
Wilson, Kevin Michael.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2023,
面頁冊數:
261 p.
附註:
Source: Dissertations Abstracts International, Volume: 85-01, Section: A.
Contained By:
Dissertations Abstracts International85-01A.
標題:
Comparative literature. -
電子資源:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30525615
ISBN:
9798379957889
Poetry as Dreaming, Dreaming as Poetry: The Dialogue Between Dream of the Red Chamber (Hongloumeng {dot}{thorn}{85}{breve}{middot}{93}{macr}{THORN}{Ostrok}, Story of the Stone {dot}{9F}{dstrok}{caron}{A0}{Uhorn}{uml}{middot}{98}) and Middle Tang {tilde}{inodot}{Uhorn}{macr}{94}{90} and Late Tang {breve}{99}{9A}{macr}{94}{90} Poetry, Focusing on the Work of Li He {breve}{9D}{nonjoin}{uml}{dstrok}{80}, Li Shangyin {breve}{9D}{nonjoin}{macr}{95}{86}{caron}{9A}{lstrok}, and Wen Tingyun {breve}{eth}
Wilson, Kevin Michael.
Poetry as Dreaming, Dreaming as Poetry: The Dialogue Between Dream of the Red Chamber (Hongloumeng {dot}{thorn}{85}{breve}{middot}{93}{macr}{THORN}{Ostrok}, Story of the Stone {dot}{9F}{dstrok}{caron}{A0}{Uhorn}{uml}{middot}{98}) and Middle Tang {tilde}{inodot}{Uhorn}{macr}{94}{90} and Late Tang {breve}{99}{9A}{macr}{94}{90} Poetry, Focusing on the Work of Li He {breve}{9D}{nonjoin}{uml}{dstrok}{80}, Li Shangyin {breve}{9D}{nonjoin}{macr}{95}{86}{caron}{9A}{lstrok}, and Wen Tingyun {breve}{eth}{plusmn}{macr}{eth}{Uhorn}{dot}{Uhorn}{A0} =
{uml}{flat}{flat}{tilde}{eth}{OElig}{macr}{THORN}{Ostrok}{candra}{ohorn}{8C}{macr}{THORN}{Ostrok}{tilde}{eth}{OElig}{uml}{flat}{flat}{candra}{ohorn}{9A}{dot}{thorn}{85}{breve}{middot}{93}{macr}{THORN}{Ostrok}{uml}{88}{87}{tilde}{inodot}{Uhorn}{breve}{99}{9A}{macr}{94}{90}{uml}{flat}{flat}{breve}{Uhorn}{8C}{dot}{9A}{84}{macr}{mllhring}{joiner}{uml}{flat}{lstrok}{candra}{ohorn}{8C}{macr}{81}{thorn}{caron}{87}{joiner}{breve}{9D}{nonjoin}{uml}{dstrok}{80}{candra}{ohorn}{8C}{breve}{9D}{nonjoin}{macr}{95}{86}{caron}{9A}{lstrok}{candra}{ohorn}{8C}{breve}{eth}{plusmn}{macr}{eth}{Uhorn}{dot}{Uhorn}{A0}. - Ann Arbor : ProQuest Dissertations & Theses, 2023 - 261 p.
Source: Dissertations Abstracts International, Volume: 85-01, Section: A.
Thesis (Ph.D.)--University of California, Riverside, 2023.
This item must not be sold to any third party vendors.
This dissertation explores the dialogue between Dream of the Red Chamber (Hongloumeng {dot}{thorn}{85}{breve}{middot}{93}{macr}{THORN}{Ostrok}, Story of the Stone {dot}{9F}{dstrok}{caron}{A0}{Uhorn}{uml}{middot}{98}) and Tang {macr}{94}{90} poetry, especially the works of Li He {breve}{9D}{nonjoin}{uml}{dstrok}{80}, Li Shangyin {breve}{9D}{nonjoin}{macr}{95}{86}{caron}{9A}{lstrok}, and Wen Tingyun {breve}{eth}{plusmn}{macr}{eth}{Uhorn}{dot}{Uhorn}{A0}. Analytical tools and philosophical concepts are developed for approaching Hongloumeng as a deeply intertextual, highly symbolic novel, the specificity of its referential landscape being assessed and clarified. The works of these poets are explored in their capacity as classical inspiration for Hongloumeng's remarkable, in some ways radical vision of alternative spaces where sexuality, gender, art, and identity can be explored freely and openly. It will be demonstrated how Hongloumeng engages with these poets' works especially in terms of their critique of existing social hierarchies and of the dismal opportunities afforded for artistic and gender expression. The recurrence of gendered labor in the Tang poetic material that Hongloumeng references is treated with a view toward value production and social reproduction as{A0}historical phenomena. To develop an analytical framework capable of representing subtly transforming historical conceptions of dreams, desire, and identity, this work critically engages with notions of serendipity, chance, fate, and morality in Hongloumeng and Tang poetry, while reflexively developing new conceptions of artistic serendipity that can capture how meaning and non-meaning interact, and how dreams and desire interweave. In the process, this work attempts to articulate its theoretical and methodological positionality vis-a-vis Freudian psychoanalysis, the structuralism of Claude Levi-Strauss, the post-structuralism of Julia Kristeva's intertextuality, and liminality studies.
ISBN: 9798379957889Subjects--Topical Terms:
570001
Comparative literature.
Subjects--Index Terms:
Dream interpretation
Poetry as Dreaming, Dreaming as Poetry: The Dialogue Between Dream of the Red Chamber (Hongloumeng {dot}{thorn}{85}{breve}{middot}{93}{macr}{THORN}{Ostrok}, Story of the Stone {dot}{9F}{dstrok}{caron}{A0}{Uhorn}{uml}{middot}{98}) and Middle Tang {tilde}{inodot}{Uhorn}{macr}{94}{90} and Late Tang {breve}{99}{9A}{macr}{94}{90} Poetry, Focusing on the Work of Li He {breve}{9D}{nonjoin}{uml}{dstrok}{80}, Li Shangyin {breve}{9D}{nonjoin}{macr}{95}{86}{caron}{9A}{lstrok}, and Wen Tingyun {breve}{eth}
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Thesis (Ph.D.)--University of California, Riverside, 2023.
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This dissertation explores the dialogue between Dream of the Red Chamber (Hongloumeng {dot}{thorn}{85}{breve}{middot}{93}{macr}{THORN}{Ostrok}, Story of the Stone {dot}{9F}{dstrok}{caron}{A0}{Uhorn}{uml}{middot}{98}) and Tang {macr}{94}{90} poetry, especially the works of Li He {breve}{9D}{nonjoin}{uml}{dstrok}{80}, Li Shangyin {breve}{9D}{nonjoin}{macr}{95}{86}{caron}{9A}{lstrok}, and Wen Tingyun {breve}{eth}{plusmn}{macr}{eth}{Uhorn}{dot}{Uhorn}{A0}. Analytical tools and philosophical concepts are developed for approaching Hongloumeng as a deeply intertextual, highly symbolic novel, the specificity of its referential landscape being assessed and clarified. The works of these poets are explored in their capacity as classical inspiration for Hongloumeng's remarkable, in some ways radical vision of alternative spaces where sexuality, gender, art, and identity can be explored freely and openly. It will be demonstrated how Hongloumeng engages with these poets' works especially in terms of their critique of existing social hierarchies and of the dismal opportunities afforded for artistic and gender expression. The recurrence of gendered labor in the Tang poetic material that Hongloumeng references is treated with a view toward value production and social reproduction as{A0}historical phenomena. To develop an analytical framework capable of representing subtly transforming historical conceptions of dreams, desire, and identity, this work critically engages with notions of serendipity, chance, fate, and morality in Hongloumeng and Tang poetry, while reflexively developing new conceptions of artistic serendipity that can capture how meaning and non-meaning interact, and how dreams and desire interweave. In the process, this work attempts to articulate its theoretical and methodological positionality vis-a-vis Freudian psychoanalysis, the structuralism of Claude Levi-Strauss, the post-structuralism of Julia Kristeva's intertextuality, and liminality studies.
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