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Counted, Earning, and Behaving as Eu...

Sulaiman, Michelle Josephine.

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Counted, Earning, and Behaving as Europeans: Western Art Music and Social Capital in Late 19th Century Batavia.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Counted, Earning, and Behaving as Europeans: Western Art Music and Social Capital in Late 19th Century Batavia./
Author:	Sulaiman, Michelle Josephine.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2023,
Description:	84 p.
Notes:	Source: Masters Abstracts International, Volume: 85-06.
Contained By:	Masters Abstracts International85-06.
Subject:	Music history. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30529775
ISBN:	9798381118803

Counted, Earning, and Behaving as Europeans: Western Art Music and Social Capital in Late 19th Century Batavia.
Sulaiman, Michelle Josephine.

Counted, Earning, and Behaving as Europeans: Western Art Music and Social Capital in Late 19th Century Batavia. - Ann Arbor : ProQuest Dissertations & Theses, 2023 - 84 p.

Source: Masters Abstracts International, Volume: 85-06.

Thesis (M.A.)--University of Oregon, 2023.

This item must not be sold to any third party vendors.

This thesis examines how and why the musical preferences of the Batavian elites shifted in the late nineteenth century. I argue that Batavian elites constructed and performed "Europeanness" to distinguish themselves not only from the Indies natives but also from Europeans of lower social and economic status (blijvers). While the Indies elite had previously enjoyed native, hybridized, and European entertainments in the previous century, they gradually distanced themselves from non-European music and behaviors. The creation of exclusive spaces, such as the Batavian Schouwburg and social clubhouses, also strengthened the idea of "Europeanness" among the elites. I also examine how participation in Batavian music scenes affected the economic and social capital of three musicians: Marie Storm 's van-Gravesande, Pauline Lange-Rijckmans, and Gijbertus van Dam. Within this close-knit circle, these musicians attempted to exchange their cultural capital for economic and social capital with varying degrees of success.

ISBN: 9798381118803Subjects--Topical Terms:

3342382
Music history.
Subjects--Index Terms:

Musical preferences

Counted, Earning, and Behaving as Europeans: Western Art Music and Social Capital in Late 19th Century Batavia.
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300 $a 84 p.
500 $a Source: Masters Abstracts International, Volume: 85-06.
500 $a Advisor: Fine, Abigail.
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506 $a This item must not be sold to any third party vendors.
520 $a This thesis examines how and why the musical preferences of the Batavian elites shifted in the late nineteenth century. I argue that Batavian elites constructed and performed "Europeanness" to distinguish themselves not only from the Indies natives but also from Europeans of lower social and economic status (blijvers). While the Indies elite had previously enjoyed native, hybridized, and European entertainments in the previous century, they gradually distanced themselves from non-European music and behaviors. The creation of exclusive spaces, such as the Batavian Schouwburg and social clubhouses, also strengthened the idea of "Europeanness" among the elites. I also examine how participation in Batavian music scenes affected the economic and social capital of three musicians: Marie Storm 's van-Gravesande, Pauline Lange-Rijckmans, and Gijbertus van Dam. Within this close-knit circle, these musicians attempted to exchange their cultural capital for economic and social capital with varying degrees of success.
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650 4 $a Asian history. $2 bicssc $3 1099323
650 4 $a Southeast Asian studies. $3 3344898
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653 $a Batavian elites
653 $a Europeanness
653 $a Indies elite
653 $a Musicians
653 $a Social capital
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710 2 $a University of Oregon. $b School of Music and Dance. $3 2105210
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