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Dynamic Worship: Material Technologi...
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Shackelford, James R.
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Dynamic Worship: Material Technologies and Liturgical Experience in Late Roman Italy (4th & 5th c. CE).
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Dynamic Worship: Material Technologies and Liturgical Experience in Late Roman Italy (4th & 5th c. CE)./
作者:
Shackelford, James R.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2023,
面頁冊數:
458 p.
附註:
Source: Dissertations Abstracts International, Volume: 85-03, Section: A.
Contained By:
Dissertations Abstracts International85-03A.
標題:
Art history. -
電子資源:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30631193
ISBN:
9798380389143
Dynamic Worship: Material Technologies and Liturgical Experience in Late Roman Italy (4th & 5th c. CE).
Shackelford, James R.
Dynamic Worship: Material Technologies and Liturgical Experience in Late Roman Italy (4th & 5th c. CE).
- Ann Arbor : ProQuest Dissertations & Theses, 2023 - 458 p.
Source: Dissertations Abstracts International, Volume: 85-03, Section: A.
Thesis (Ph.D.)--University of Pennsylvania, 2023.
This item must not be sold to any third party vendors.
The fourth and fifth centuries CE were a crucial period in the development of Christian artistic, architectural, and liturgical traditions. Powerful patrons made available significant material resources and tremendous creative energy, facilitating the rapid development and proliferation of Christian churches and related spaces across the Late Roman Empire. Welleducated, connected clergy and elites brought considerable intellectual training and rhetorical skill to bear on Christian liturgical rites and homiletic traditions and contributed to a range of already thriving para-liturgical and private pious devotions. Comprised of 13 case studies spread across Rome, Milan, and Ravenna, this dissertation considers churches, baptisteries, and chapels, as well as the range of liturgical, para-liturgical, and private pious practices those buildings hosted. The project it embarks upon is two-fold: an interpretative reconstruction of pious practice, and an examination, through case studies, of the religious art, architecture, and artifacts that served, described, animated, suggested, and focused those practices. Recasting the familiar categories of Christian art and architecture as 'technologies,' it analyzes how these confluences of performative, somatic, visual, and spatial technologies impacted worshipping subjects toward a range of social, political, ecclesiastical, and even spiritual ends. Drawing upon recent insights from lived, material, and affective approaches to religion, it raises questions like how the frequent liturgical viewing of complex church mosaics differed experientially from the one-time encounter with a densely decorated baptistery during the highly charged Christian baptismal ritual. This dissertation engages many of the great churches and visual displays of the period, posing new questions to yield fresh insights from a familiar corpus of material.
ISBN: 9798380389143Subjects--Topical Terms:
2122701
Art history.
Subjects--Index Terms:
Christian architecture
Dynamic Worship: Material Technologies and Liturgical Experience in Late Roman Italy (4th & 5th c. CE).
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The fourth and fifth centuries CE were a crucial period in the development of Christian artistic, architectural, and liturgical traditions. Powerful patrons made available significant material resources and tremendous creative energy, facilitating the rapid development and proliferation of Christian churches and related spaces across the Late Roman Empire. Welleducated, connected clergy and elites brought considerable intellectual training and rhetorical skill to bear on Christian liturgical rites and homiletic traditions and contributed to a range of already thriving para-liturgical and private pious devotions. Comprised of 13 case studies spread across Rome, Milan, and Ravenna, this dissertation considers churches, baptisteries, and chapels, as well as the range of liturgical, para-liturgical, and private pious practices those buildings hosted. The project it embarks upon is two-fold: an interpretative reconstruction of pious practice, and an examination, through case studies, of the religious art, architecture, and artifacts that served, described, animated, suggested, and focused those practices. Recasting the familiar categories of Christian art and architecture as 'technologies,' it analyzes how these confluences of performative, somatic, visual, and spatial technologies impacted worshipping subjects toward a range of social, political, ecclesiastical, and even spiritual ends. Drawing upon recent insights from lived, material, and affective approaches to religion, it raises questions like how the frequent liturgical viewing of complex church mosaics differed experientially from the one-time encounter with a densely decorated baptistery during the highly charged Christian baptismal ritual. This dissertation engages many of the great churches and visual displays of the period, posing new questions to yield fresh insights from a familiar corpus of material.
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https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30631193
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