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Generic Queer: Literary History Afte...

Roberts, Kelly,

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Generic Queer: Literary History After Visibility, 1980-2020 /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Generic Queer: Literary History After Visibility, 1980-2020 // Kelly Roberts.
Author:	Roberts, Kelly,
Description:	1 electronic resource (279 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 85-05, Section: B.
Contained By:	Dissertations Abstracts International85-05B.
Subject:	LGBTQ studies. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30688062
ISBN:	9798380849753

Generic Queer: Literary History After Visibility, 1980-2020 /
Roberts, Kelly,

Generic Queer: Literary History After Visibility, 1980-2020 /Kelly Roberts. - 1 electronic resource (279 pages)

Source: Dissertations Abstracts International, Volume: 85-05, Section: B.

Each chapter in this dissertation examines works of queer fiction that developed in relation to other genres: poetry, theater and performance art, journalism, and autobiography. As I will show, a multi-generic perspective is necessary for understanding the context in which the novels under consideration were produced. But such a perspective also provides for a more compelling and socially honest account of how writing happens. Novel history is often somewhat out of sync with the nonlinear and messy lived experience of thinking and talking and writing. This is perhaps even more true for the work of queer fiction, as a burgeoning social and sexual subcultural scene brought together writers, artists, performers, intellectuals, and workers of all stripes who might otherwise have had little in common. In such social scenes, queer writers found themselves in active conversation with artists working across a range of genres and media, and many queer novelists developed dynamic new literary forms that corresponded less to accepted literary categories and more to conversations within queer subcultures. Through sociological analyses of production, circulation, and reception, I show how taking the non-normative and coalitional impulse of the term "queer" seriously allows us to reassess the ways we classify and value literature. This reassessment, in turn, helps to reveal the way that queer aesthetics have also significantly shaped the development of contemporary fiction more broadly.

English

ISBN: 9798380849753Subjects--Topical Terms:

2122706
LGBTQ studies.
Subjects--Index Terms:

Novel history

Generic Queer: Literary History After Visibility, 1980-2020 /
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100 1 $a Roberts, Kelly, $e author. $0 (orcid)0000-0003-1744-7493 $3 3759131
245 1 0 $a Generic Queer: Literary History After Visibility, 1980-2020 / $c Kelly Roberts.
264 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2023
300 $a 1 electronic resource (279 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertations Abstracts International, Volume: 85-05, Section: B.
500 $a Advisors: Walkowitz, Rebecca L. Committee members: Kurnick, David; Lawrence, Jeffrey; Micir, Melanie.
502 $b Ph.D. $c Rutgers The State University of New Jersey, School of Graduate Studies $d 2023.
520 $a Each chapter in this dissertation examines works of queer fiction that developed in relation to other genres: poetry, theater and performance art, journalism, and autobiography. As I will show, a multi-generic perspective is necessary for understanding the context in which the novels under consideration were produced. But such a perspective also provides for a more compelling and socially honest account of how writing happens. Novel history is often somewhat out of sync with the nonlinear and messy lived experience of thinking and talking and writing. This is perhaps even more true for the work of queer fiction, as a burgeoning social and sexual subcultural scene brought together writers, artists, performers, intellectuals, and workers of all stripes who might otherwise have had little in common. In such social scenes, queer writers found themselves in active conversation with artists working across a range of genres and media, and many queer novelists developed dynamic new literary forms that corresponded less to accepted literary categories and more to conversations within queer subcultures. Through sociological analyses of production, circulation, and reception, I show how taking the non-normative and coalitional impulse of the term "queer" seriously allows us to reassess the ways we classify and value literature. This reassessment, in turn, helps to reveal the way that queer aesthetics have also significantly shaped the development of contemporary fiction more broadly.
546 $a English
590 $a School code: 0190
650 4 $a LGBTQ studies. $3 2122706
650 4 $a American literature. $3 523234
650 4 $a American history. $3 2122692
650 4 $a Gender studies. $3 2122708
650 4 $a Sexuality. $3 816197
653 $a Novel history
653 $a Burgeoning social
653 $a Intellectuals
653 $a Queer subcultures
653 $a Sexual subcultural scene
690 $a 0492
690 $a 0591
690 $a 0211
690 $a 0337
690 $a 0733
710 2 $a Rutgers The State University of New Jersey, School of Graduate Studies. $b Literatures in English. $e degree granting institution. $3 3759132
720 1 $a Walkowitz, Rebecca L. $e degree supervisor.
773 0 $t Dissertations Abstracts International $g 85-05B.
790 $a 0190
791 $a Ph.D.
792 $a 2023
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30688062