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Performative Modernity : = Shanghai Style Peking Opera in Pre-war Shanghai, 1872-1937.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Performative Modernity :/
Reminder of title:	Shanghai Style Peking Opera in Pre-war Shanghai, 1872-1937.
Author:	Zhao, Tingting.
Description:	1 online resource (313 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 83-06, Section: A.
Contained By:	Dissertations Abstracts International83-06A.
Subject:	History. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28827998click for full text (PQDT)
ISBN:	9798494462282

Performative Modernity : = Shanghai Style Peking Opera in Pre-war Shanghai, 1872-1937.
Zhao, Tingting.

Performative Modernity :Shanghai Style Peking Opera in Pre-war Shanghai, 1872-1937. - 1 online resource (313 pages)

Source: Dissertations Abstracts International, Volume: 83-06, Section: A.

Thesis (Ph.D.)--Stanford University, 2016.

Includes bibliographical references

My dissertation explores the dynamic relationship between Chinese theater and the city of Shanghai between 1872 and 1937, and its wider effects on Chinese modernity. Peking opera, a hybrid art form of singing, dancing, acrobatics, and storytelling, is generally thought as having two characteristics: a traditional art form and an art that is closely tied to the city of Beijing. However, such an understanding fails to take into account a series of exciting developments that occurred to Peking opera in Shanghai. During 1872 and 1937 in Shanghai, the constant negotiations about the form, the content, and the purpose of Peking opera-along with the changing mechanisms of cooperative authorship, the emergence of a mass-media based critical community, an expansion of thematic subjects treated, and the audience's new multi-faceted engagement with the opera-all point to a complicated epistemology that emerged concurrently with Shanghai's urban transformation. My study argues that Peking opera in its current form was fundamentally created in the cosmopolitan and concession-based city of Shanghai at the turn of the twentieth century, motivated by the emergence of Chinese modernity. Moreover, Peking opera in turn shaped Chinese modernity and helped form the cultural and political identity of Shanghai.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798494462282Subjects--Topical Terms:

516518
History.
Index Terms--Genre/Form:

542853
Electronic books.

Performative Modernity : = Shanghai Style Peking Opera in Pre-war Shanghai, 1872-1937.
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100 1 $a Zhao, Tingting. $3 1264122
245 1 0 $a Performative Modernity : $b Shanghai Style Peking Opera in Pre-war Shanghai, 1872-1937.
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300 $a 1 online resource (313 pages)
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500 $a Source: Dissertations Abstracts International, Volume: 83-06, Section: A.
500 $a Advisor: Egan, Ronald;Wang, Ban;Sun, Chao.
502 $a Thesis (Ph.D.)--Stanford University, 2016.
504 $a Includes bibliographical references
520 $a My dissertation explores the dynamic relationship between Chinese theater and the city of Shanghai between 1872 and 1937, and its wider effects on Chinese modernity. Peking opera, a hybrid art form of singing, dancing, acrobatics, and storytelling, is generally thought as having two characteristics: a traditional art form and an art that is closely tied to the city of Beijing. However, such an understanding fails to take into account a series of exciting developments that occurred to Peking opera in Shanghai. During 1872 and 1937 in Shanghai, the constant negotiations about the form, the content, and the purpose of Peking opera-along with the changing mechanisms of cooperative authorship, the emergence of a mass-media based critical community, an expansion of thematic subjects treated, and the audience's new multi-faceted engagement with the opera-all point to a complicated epistemology that emerged concurrently with Shanghai's urban transformation. My study argues that Peking opera in its current form was fundamentally created in the cosmopolitan and concession-based city of Shanghai at the turn of the twentieth century, motivated by the emergence of Chinese modernity. Moreover, Peking opera in turn shaped Chinese modernity and helped form the cultural and political identity of Shanghai.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2023
538 $a Mode of access: World Wide Web
650 4 $a History. $3 516518
650 4 $a Motion pictures. $3 527819
650 4 $a Theater. $3 522973
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650 4 $a Fine arts. $3 2122690
650 4 $a Political science. $3 528916
655 7 $a Electronic books. $2 lcsh $3 542853
690 $a 0465
690 $a 0578
690 $a 0357
690 $a 0615
710 2 $a ProQuest Information and Learning Co. $3 783688
710 2 $a Stanford University. $3 754827
773 0 $t Dissertations Abstracts International $g 83-06A.
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