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Re-presentations of Han, a special emotional quality, inKorean dancing culture.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Re-presentations of Han, a special emotional quality, inKorean dancing culture./
作者:	Choi, Won Sun.
面頁冊數:	1 online resource (426 pages)
附註:	Source: Dissertations Abstracts International, Volume: 69-12, Section: A.
Contained By:	Dissertations Abstracts International69-12A.
標題:	Cultural anthropology. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3298280click for full text (PQDT)
ISBN:	9780549417903

Re-presentations of Han, a special emotional quality, inKorean dancing culture.
Choi, Won Sun.

Re-presentations of Han, a special emotional quality, inKorean dancing culture. - 1 online resource (426 pages)

Source: Dissertations Abstracts International, Volume: 69-12, Section: A.

Thesis (Ph.D.)--University of California, Riverside, 2007.

Includes bibliographical references

The main purpose of this study is to conduct an interpretation of Korean cultural identity in dance and its historical traces through an exploration of the unique Korean emotional quality of Han and its significance and embodiments in five well-known dance pieces (Seung-mu, Salpuri-chum, Gasahojeop, Naerimsaeyeo, and Salpuri-80), within the traditional and contemporary ideologies and cultural contexts of Korea. Specifically, this study looks at the relationship between Han and the five dances which have been created in the midst of distinct historic and cultural contexts. For this purpose, the following points are examined within each dance, characterization and representation of Han; the historical, political, and cultural interpretation of the meanings of Han; the role of Han as a representative cultural aesthetic; and the transformation of Han in Korean dancing culture. This study engages a combination of interdisciplinary methodological approaches and theoretical concerns from both, Korean and Western literatures within the fields of dance ethnology and cultural studies as well as Korean dance, folklore, aesthetics, and history. The various methods employed to take up this study include, field work, oral history interviews, LMA (Laban Movement Analysis) and video documentation and the researcher's own experience as a dance practitioner. The findings from the analytical reading of dance activities as cultural practices and their relation to the concept of Han are various: new interpretations of the political, social, and cultural meanings of the dances through their particular use of Han; diverse understandings of their concealed meanings regarding the discourses on nationalism, imperialism, and multi-culturalism; and their role as social and political reporter and critical and cultural interpreter of the social issues and historical tragedies of the people. The use of the five dances' common and distinctive movement qualities characterizing the different personalities of Han during different historical periods and movement styles indicates that the spiritual and cognitive concept of Han has endured as a Korean cultural aesthetic and ethos. In contemporary Korea, Han functions as an aesthetic beauty of sadness which is transformed through emotional and spiritual catharsis. The cultural and artistic realm of the dance representations of Han show that Han has become a unique Korean cultural identity shaped by the complex socio-cultural predicaments of Korea and an embodiment of the symbolic meanings of the people, society, and history of Korea.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9780549417903Subjects--Topical Terms:

2122764
Cultural anthropology.
Subjects--Index Terms:

Cultural identityIndex Terms--Genre/Form:

542853
Electronic books.

Re-presentations of Han, a special emotional quality, inKorean dancing culture.
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520 $a The main purpose of this study is to conduct an interpretation of Korean cultural identity in dance and its historical traces through an exploration of the unique Korean emotional quality of Han and its significance and embodiments in five well-known dance pieces (Seung-mu, Salpuri-chum, Gasahojeop, Naerimsaeyeo, and Salpuri-80), within the traditional and contemporary ideologies and cultural contexts of Korea. Specifically, this study looks at the relationship between Han and the five dances which have been created in the midst of distinct historic and cultural contexts. For this purpose, the following points are examined within each dance, characterization and representation of Han; the historical, political, and cultural interpretation of the meanings of Han; the role of Han as a representative cultural aesthetic; and the transformation of Han in Korean dancing culture. This study engages a combination of interdisciplinary methodological approaches and theoretical concerns from both, Korean and Western literatures within the fields of dance ethnology and cultural studies as well as Korean dance, folklore, aesthetics, and history. The various methods employed to take up this study include, field work, oral history interviews, LMA (Laban Movement Analysis) and video documentation and the researcher's own experience as a dance practitioner. The findings from the analytical reading of dance activities as cultural practices and their relation to the concept of Han are various: new interpretations of the political, social, and cultural meanings of the dances through their particular use of Han; diverse understandings of their concealed meanings regarding the discourses on nationalism, imperialism, and multi-culturalism; and their role as social and political reporter and critical and cultural interpreter of the social issues and historical tragedies of the people. The use of the five dances' common and distinctive movement qualities characterizing the different personalities of Han during different historical periods and movement styles indicates that the spiritual and cognitive concept of Han has endured as a Korean cultural aesthetic and ethos. In contemporary Korea, Han functions as an aesthetic beauty of sadness which is transformed through emotional and spiritual catharsis. The cultural and artistic realm of the dance representations of Han show that Han has become a unique Korean cultural identity shaped by the complex socio-cultural predicaments of Korea and an embodiment of the symbolic meanings of the people, society, and history of Korea.
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