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Resisting Through Lenses : = An Exploration of Youth Media Production as an Act of Resistance and Democratization.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Resisting Through Lenses :/
其他題名:
An Exploration of Youth Media Production as an Act of Resistance and Democratization.
作者:
Neri, Michael Paul.
面頁冊數:
1 online resource (120 pages)
附註:
Source: Dissertations Abstracts International, Volume: 84-06, Section: B.
Contained By:
Dissertations Abstracts International84-06B.
標題:
Educational leadership. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30181270click for full text (PQDT)
ISBN:
9798352928363
Resisting Through Lenses : = An Exploration of Youth Media Production as an Act of Resistance and Democratization.
Neri, Michael Paul.
Resisting Through Lenses :
An Exploration of Youth Media Production as an Act of Resistance and Democratization. - 1 online resource (120 pages)
Source: Dissertations Abstracts International, Volume: 84-06, Section: B.
Thesis (Ph.D.)--Miami University, 2022.
Includes bibliographical references
Youth media production programs offer powerful opportunities for students and school communities. However, the benefits and outcomes of these production programs are not always clear, resulting in their possible exclusion from school curricula. This study is an opportunity to deeply examine media production programs and the benefits they produce for students and school communities. Specifically, I examine ways that student participation in a media production curriculum is emancipatory for them. I also explore the ways that student participation provides opportunities for students to produce counter-stories against dominant narratives related to young people. The main question driving this critical narrative inquiry is: How does youth media production curriculum impact participants? world view? Several sub questions frame the research. First, what benefits exist from a curriculum tied directly to media production? Second, to what extent does participation in a media production course affect students? development in areas such as critical thinking, empathy, and problem solving? Third, in what ways does participation in a media production curriculum affect identity development and sense of self? Finally, in what ways does participation in a media production course connect and/or translate to other disciplines/arenas? Narrative inquiry is utilized to explore these questions. Methods consist of interviews with former participants in a youth media production program. Three themes developed stemmed from the data analysis: visual media production as a creative release, visual media production as democratic practice, and visual media production as community builder. I conclude that youth media production programs have several benefits for students and should play a larger role in school curricula for both students and educators.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798352928363Subjects--Topical Terms:
529436
Educational leadership.
Subjects--Index Terms:
Youth media productionIndex Terms--Genre/Form:
542853
Electronic books.
Resisting Through Lenses : = An Exploration of Youth Media Production as an Act of Resistance and Democratization.
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Youth media production programs offer powerful opportunities for students and school communities. However, the benefits and outcomes of these production programs are not always clear, resulting in their possible exclusion from school curricula. This study is an opportunity to deeply examine media production programs and the benefits they produce for students and school communities. Specifically, I examine ways that student participation in a media production curriculum is emancipatory for them. I also explore the ways that student participation provides opportunities for students to produce counter-stories against dominant narratives related to young people. The main question driving this critical narrative inquiry is: How does youth media production curriculum impact participants? world view? Several sub questions frame the research. First, what benefits exist from a curriculum tied directly to media production? Second, to what extent does participation in a media production course affect students? development in areas such as critical thinking, empathy, and problem solving? Third, in what ways does participation in a media production curriculum affect identity development and sense of self? Finally, in what ways does participation in a media production course connect and/or translate to other disciplines/arenas? Narrative inquiry is utilized to explore these questions. Methods consist of interviews with former participants in a youth media production program. Three themes developed stemmed from the data analysis: visual media production as a creative release, visual media production as democratic practice, and visual media production as community builder. I conclude that youth media production programs have several benefits for students and should play a larger role in school curricula for both students and educators.
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