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Contemporary Improvised Music Methodologies, Modes of Reading, and Hybridity of Notation in Burr Van Nostrand's Voyage in a White Building I and Ae.M/Four-Mile Run for Fixed Media and Optional Performers.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Contemporary Improvised Music Methodologies, Modes of Reading, and Hybridity of Notation in Burr Van Nostrand's Voyage in a White Building I and Ae.M/Four-Mile Run for Fixed Media and Optional Performers./
Author:	Belcher, Jason Wayne.
Description:	1 online resource (168 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 85-03, Section: A.
Contained By:	Dissertations Abstracts International85-03A.
Subject:	Premieres and debuts. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30556140click for full text (PQDT)
ISBN:	9798380262118

Contemporary Improvised Music Methodologies, Modes of Reading, and Hybridity of Notation in Burr Van Nostrand's Voyage in a White Building I and Ae.M/Four-Mile Run for Fixed Media and Optional Performers.
Belcher, Jason Wayne.

Contemporary Improvised Music Methodologies, Modes of Reading, and Hybridity of Notation in Burr Van Nostrand's Voyage in a White Building I and Ae.M/Four-Mile Run for Fixed Media and Optional Performers. - 1 online resource (168 pages)

Source: Dissertations Abstracts International, Volume: 85-03, Section: A.

Thesis (Ph.D.)--University of Pittsburgh, 2023.

Includes bibliographical references

Voyage in a White Building I is a 1969 composition by California native Burr Van Nostrand. A setting of Hart Crane's 1922 poem Voyages I, it shows an original attempt by a young composer to create a cohesive musical system of notation for a close-knit group of performers with wildly different musical training and backgrounds. Serving as a vehicle for both subversive sexual expression and political dissent, the work is especially notable for giving performers a substantial amount of control over its musical outcome as it progresses. Presented below is an analysis of Van Nostrand's work that takes improvisation and performer-controlled variables into consideration alongside the more conventional techniques and structures observed in its score. Within this presentation, I outline how Van Nostrand's circle of composer/performer colleagues worked together in the realization of the score, influencing each other in their compositional processes. Following this, I turn to three recent performances of Voyageto demonstrate how recent performers' knowledge of contemporaneous improvised idioms and methodologies have transformed the work. I aim for this study to be especially useful to 21st century performers and composers, as works that utilize hybridity and mobility of notation, genre, and performative methods are increasingly common in various concert music spheres.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798380262118Subjects--Topical Terms:

3560133
Premieres and debuts.
Index Terms--Genre/Form:

542853
Electronic books.

Contemporary Improvised Music Methodologies, Modes of Reading, and Hybridity of Notation in Burr Van Nostrand's Voyage in a White Building I and Ae.M/Four-Mile Run for Fixed Media and Optional Performers.
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