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(Re)voicing, (Re)viewing, (Re)inscribing and Healing the Future : = Exploring the Question of Liberation Through Black Women's Artistic Production in Contemporary Afro-Colombian Social Movements.

Record Type:	Electronic resources : Monograph/item
Title/Author:	(Re)voicing, (Re)viewing, (Re)inscribing and Healing the Future :/
Reminder of title:	Exploring the Question of Liberation Through Black Women's Artistic Production in Contemporary Afro-Colombian Social Movements.
Author:	Schrock, Lana Erin.
Description:	1 online resource (188 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 84-10, Section: A.
Contained By:	Dissertations Abstracts International84-10A.
Subject:	Racism. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30359544click for full text (PQDT)
ISBN:	9798377686910

(Re)voicing, (Re)viewing, (Re)inscribing and Healing the Future : = Exploring the Question of Liberation Through Black Women's Artistic Production in Contemporary Afro-Colombian Social Movements.
Schrock, Lana Erin.

(Re)voicing, (Re)viewing, (Re)inscribing and Healing the Future :Exploring the Question of Liberation Through Black Women's Artistic Production in Contemporary Afro-Colombian Social Movements. - 1 online resource (188 pages)

Source: Dissertations Abstracts International, Volume: 84-10, Section: A.

Thesis (Ph.D.)--University of Pittsburgh, 2022.

Includes bibliographical references

My investigation exposes and analyzes the ways in which Afro-Colombian women artivists are conceptualizing new forms of liberation and freedom through writing, music, and filmmaking in contemporary Afro-Colombian social movements within the very spaces of social death and racial and political violence in which they reside. My dissertation consists of seven chapters that examine how these written, sonic and visual forms of artistry act as vessels for worldmaking that carry out the mission of creating a new, universal human as defined by Sylvia Wynter. In the first three chapters of my dissertation, I lay the groundwork for my exploration of Afro-Colombian women's art by providing background on this sector of social movements and artistry as well as my own theory on (re)voicing, (re)viewing, and (re)inscribing as it pertains to Afro-Colombian women's art and Wynter's humanizing mission. In chapter four, I look at the 2012 drama film Choco and a documentary film on alabado singers, Voces de Resistencia. In chapter five, I break down the music of two female Afro-Colombian hip-hop artists, Cynthia Montano and Gloria "Goyo" Martinez. In chapter six, I discuss Ursula Mena Lozano's study on Afro-Colombian poetry, Indicios para leer el amor en la poesia negra chocoana and Hazel Robinson Abraham's novel No Give Up, Maan, ¡No te rindas! Finally, in chapter 7, I conclude my findings on how Afro-Colombian women's artistry can indeed lead to healing.Ultimately, my dissertation lends itself as a contribution to the growing scholarship on modern-day Afro-Colombian social movements, the artistic genres that have stemmed from it in the last few decades, and the question of being, Blackness, and womanhood on an international stage. This project brings together works that have never been discussed before in the context of Sylvia Wynter's human, thus shedding new light on the ways in which we can conceive of this art as more than sociopolitical protest, but as a healing, lifechanging, worldview-altering force for positivity and ontological freedom.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798377686910Subjects--Topical Terms:

519298
Racism.
Index Terms--Genre/Form:

542853
Electronic books.

(Re)voicing, (Re)viewing, (Re)inscribing and Healing the Future : = Exploring the Question of Liberation Through Black Women's Artistic Production in Contemporary Afro-Colombian Social Movements.
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100 1 $a Schrock, Lana Erin. $3 3699696
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500 $a Source: Dissertations Abstracts International, Volume: 84-10, Section: A.
500 $a Advisor: Owens, Imani D.; Rivera, Serena J.; Kim, Junyoung V.; Branche, Jerome C.
502 $a Thesis (Ph.D.)--University of Pittsburgh, 2022.
504 $a Includes bibliographical references
520 $a My investigation exposes and analyzes the ways in which Afro-Colombian women artivists are conceptualizing new forms of liberation and freedom through writing, music, and filmmaking in contemporary Afro-Colombian social movements within the very spaces of social death and racial and political violence in which they reside. My dissertation consists of seven chapters that examine how these written, sonic and visual forms of artistry act as vessels for worldmaking that carry out the mission of creating a new, universal human as defined by Sylvia Wynter. In the first three chapters of my dissertation, I lay the groundwork for my exploration of Afro-Colombian women's art by providing background on this sector of social movements and artistry as well as my own theory on (re)voicing, (re)viewing, and (re)inscribing as it pertains to Afro-Colombian women's art and Wynter's humanizing mission. In chapter four, I look at the 2012 drama film Choco and a documentary film on alabado singers, Voces de Resistencia. In chapter five, I break down the music of two female Afro-Colombian hip-hop artists, Cynthia Montano and Gloria "Goyo" Martinez. In chapter six, I discuss Ursula Mena Lozano's study on Afro-Colombian poetry, Indicios para leer el amor en la poesia negra chocoana and Hazel Robinson Abraham's novel No Give Up, Maan, ¡No te rindas! Finally, in chapter 7, I conclude my findings on how Afro-Colombian women's artistry can indeed lead to healing.Ultimately, my dissertation lends itself as a contribution to the growing scholarship on modern-day Afro-Colombian social movements, the artistic genres that have stemmed from it in the last few decades, and the question of being, Blackness, and womanhood on an international stage. This project brings together works that have never been discussed before in the context of Sylvia Wynter's human, thus shedding new light on the ways in which we can conceive of this art as more than sociopolitical protest, but as a healing, lifechanging, worldview-altering force for positivity and ontological freedom.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2023
538 $a Mode of access: World Wide Web
650 4 $a Racism. $3 519298
650 4 $a Black people. $3 3663699
650 4 $a Colombian literature. $3 3699697
650 4 $a Society. $3 700566
650 4 $a Eurocentrism. $3 525090
650 4 $a Ethnicity. $3 519288
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650 4 $a Social activism. $3 3556019
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650 4 $a Latin American studies. $3 2122903
650 4 $a Latin American literature. $2 fast $3 2078811
650 4 $a Literature. $3 537498
650 4 $a Political science. $3 528916
650 4 $a Social research. $3 2122687
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773 0 $t Dissertations Abstracts International $g 84-10A.
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