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Theatre of Operations / Operating Theatre: Medical Dramaturgies in Anti-War Plays, 1919-2019.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Theatre of Operations / Operating Theatre: Medical Dramaturgies in Anti-War Plays, 1919-2019./
作者:
Kluber, Warren.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2020,
面頁冊數:
220 p.
附註:
Source: Dissertations Abstracts International, Volume: 82-01, Section: A.
Contained By:
Dissertations Abstracts International82-01A.
標題:
Theater. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27996114
ISBN:
9798641021645
Theatre of Operations / Operating Theatre: Medical Dramaturgies in Anti-War Plays, 1919-2019.
Kluber, Warren.
Theatre of Operations / Operating Theatre: Medical Dramaturgies in Anti-War Plays, 1919-2019.
- Ann Arbor : ProQuest Dissertations & Theses, 2020 - 220 p.
Source: Dissertations Abstracts International, Volume: 82-01, Section: A.
Thesis (Ph.D.)--Columbia University, 2020.
This item is not available from ProQuest Dissertations & Theses.
This dissertation is about the ways in which modern war, modern medicine, and modern theatre have reciprocally shaped attitudes towards bodies. I argue that the rise of theatrical realism, taking models and metaphors from newly technologized war and medicine, gives viewers the power to see into others, and envisions this force as a mark of superior humanity. I show how this gaze is engaged in performance events that dramatize war-as-medicine: from WWI theatre-for-the-troops depicting enemy soldiers as microbes, to the 2003 televised medical exam of Saddam Hussein. I argue that the tools and rhetoric of realism are instrumental in imagining distanced killing as a medicinal and sanitizing act, thus naturalizing violence-as-care.Over the same period, I study the work of military veteran theatre makers who have practiced theatre as an alternative medicine: healing not by distance and separation, but through a visceral connection between performers and spectators. Starting with Antonin Artaud's theatrical "surgery," I progress through chapters on Edward Bond, David Rabe, Frances Ya-Chu Cowhig, the Riot Group, and Sylvia Khoury. Taking theoretical frameworks from medical humanities and disability studies, and integrating methods from cognitive science and phenomenology, I explore how their theatre opens up corporeal space for resonance, receptivity, and transformation. I conclude by looking at current applied theatre projects bringing together groups of military service members and civilians, and healthcare providers and receivers. I argue that theatre is uniquely able to heal the selective numbing involved in military and medical training, by resensitizing bodies and relearning ways of caring for oneself and others.
ISBN: 9798641021645Subjects--Topical Terms:
522973
Theater.
Subjects--Index Terms:
Medical Humanities
Theatre of Operations / Operating Theatre: Medical Dramaturgies in Anti-War Plays, 1919-2019.
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This dissertation is about the ways in which modern war, modern medicine, and modern theatre have reciprocally shaped attitudes towards bodies. I argue that the rise of theatrical realism, taking models and metaphors from newly technologized war and medicine, gives viewers the power to see into others, and envisions this force as a mark of superior humanity. I show how this gaze is engaged in performance events that dramatize war-as-medicine: from WWI theatre-for-the-troops depicting enemy soldiers as microbes, to the 2003 televised medical exam of Saddam Hussein. I argue that the tools and rhetoric of realism are instrumental in imagining distanced killing as a medicinal and sanitizing act, thus naturalizing violence-as-care.Over the same period, I study the work of military veteran theatre makers who have practiced theatre as an alternative medicine: healing not by distance and separation, but through a visceral connection between performers and spectators. Starting with Antonin Artaud's theatrical "surgery," I progress through chapters on Edward Bond, David Rabe, Frances Ya-Chu Cowhig, the Riot Group, and Sylvia Khoury. Taking theoretical frameworks from medical humanities and disability studies, and integrating methods from cognitive science and phenomenology, I explore how their theatre opens up corporeal space for resonance, receptivity, and transformation. I conclude by looking at current applied theatre projects bringing together groups of military service members and civilians, and healthcare providers and receivers. I argue that theatre is uniquely able to heal the selective numbing involved in military and medical training, by resensitizing bodies and relearning ways of caring for oneself and others.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=27996114
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