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Posthuman Representations in Cyberpunk Films.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Posthuman Representations in Cyberpunk Films./
作者:	Yang, Menghan.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2022,
面頁冊數:	72 p.
附註:	Source: Masters Abstracts International, Volume: 83-12.
Contained By:	Masters Abstracts International83-12.
標題:	Communication. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29167226
ISBN:	9798438774174

Posthuman Representations in Cyberpunk Films.
Yang, Menghan.

Posthuman Representations in Cyberpunk Films. - Ann Arbor : ProQuest Dissertations & Theses, 2022 - 72 p.

Source: Masters Abstracts International, Volume: 83-12.

Thesis (M.A.)--Wake Forest University, 2022.

This item must not be sold to any third party vendors.

The transition from humanism to posthumanism is ongoing if it has not entered the latter status entirely. Posthumanism, which features the blurring boundary driven by technology between the organic and the inorganic, human and the non-human, subject and object, is not an exotic concept that has nothing to do with everyday life; rather, it has permeated our reality both physically and philosophically, deserving attention and discussion. The cyberpunk genre is a rich soil of posthuman representations, namely cyborgs, since it is not mere fiction, but also a bridge that connects fantasy and social reality. This thesis applies textual analysis on three cyberpunk films, Blade Runner, Blade Runner 2049, and Alita: Battle Angel to explore the relationships between human and cyborgs as well as their perspectives on each other under capitalist system. A Marxist framework is utilized to critique how capitalism alienates and suppresses humanity by resorting to technology.

ISBN: 9798438774174Subjects--Topical Terms:

524709
Communication.
Subjects--Index Terms:

Capitalism

Posthuman Representations in Cyberpunk Films.
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