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Tonal Prosody in Recent-Style Verse of the Early Tang: from a Statistical Perspective.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Tonal Prosody in Recent-Style Verse of the Early Tang: from a Statistical Perspective./
作者:
Wu, Yanwen.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2022,
面頁冊數:
230 p.
附註:
Source: Dissertations Abstracts International, Volume: 83-11, Section: A.
Contained By:
Dissertations Abstracts International83-11A.
標題:
Linguistics. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29208832
ISBN:
9798438740599
Tonal Prosody in Recent-Style Verse of the Early Tang: from a Statistical Perspective.
Wu, Yanwen.
Tonal Prosody in Recent-Style Verse of the Early Tang: from a Statistical Perspective.
- Ann Arbor : ProQuest Dissertations & Theses, 2022 - 230 p.
Source: Dissertations Abstracts International, Volume: 83-11, Section: A.
Thesis (Ph.D.)--The University of Wisconsin - Madison, 2022.
This item must not be sold to any third party vendors.
The Tang dynasty (618-907) is regarded as the golden age in Chinese civilization during which time the Recent-style verse jintishi 近體詩, also known as Regulated verse gelushi 格律詩, was consummated. As a brilliant achievement in the history of Chinese literature, Recent-style verse has been studied by a number of scholars from various perspectives in the fields of literature, linguistics, philology, translatology, history, folklore, etc. This dissertation will focus on the tonal prosody in Recent-style verse from the perspective of linguistics.Recent-style verse is highly regulated, and it requires poets to follow a set of rules. Among those rules, tonal prosody is the most complex one, which has not been fully understood. For the most essential questions about tonal prosody, including (a) what the tonal patterns of Recent-style verse are, (b) what the critical features of the tonal prosody in Recent-style verse are, and (c) how the tonal prosody in Recent-style verse was developed throughout the history, we have not yet had satisfactory answers. To solve those problems, this dissertation thoroughly analyzes the pentasyllabic poems written by some representative poets in the early Tang dynasty (618-712). By employing statistical tests, this dissertation will figure out the features and rules of the tonal prosody in the early Tang period and compare them with those of pre-Tang eras, especially the Yongming永明 Era (483-493), and answer how Chinese poetic prosody was developed throughout history.This dissertation contains seven chapters. Chapter 1 is the introduction, which briefly summarizes the investigation of the tonal prosody of the Recent-style verse and its origin in the previous works, reviews the different approaches used in the field of Chinese poetic study, and discusses the research objectives of this study. Chapter 2 introduces the methodology and the statistical tests applied in this study. By employing the chi-square tests, Chapters 3, 4 and 5 respectively investigate the tonal distributions and the pair-wise tonal contrasts from the Yongming style verse to the Recent-style verse, and a special type of tonal pattern of the Recent-style verse. Chapter 6 examines the correlation between syntactic structures and the metrical structures and discusses the nature of Chinese poetic prosody. The last chapter summarizes the findings and conclusions drawn in this dissertation. It is my hope that this dissertation can not only introduce a new approach into the studies of the Recent-style verse and reveal the features of Chinese poetic prosody, but also shed a new light on the research of poetic meters cross-linguistically.
ISBN: 9798438740599Subjects--Topical Terms:
524476
Linguistics.
Subjects--Index Terms:
Chinese recent-style verse
Tonal Prosody in Recent-Style Verse of the Early Tang: from a Statistical Perspective.
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The Tang dynasty (618-907) is regarded as the golden age in Chinese civilization during which time the Recent-style verse jintishi 近體詩, also known as Regulated verse gelushi 格律詩, was consummated. As a brilliant achievement in the history of Chinese literature, Recent-style verse has been studied by a number of scholars from various perspectives in the fields of literature, linguistics, philology, translatology, history, folklore, etc. This dissertation will focus on the tonal prosody in Recent-style verse from the perspective of linguistics.Recent-style verse is highly regulated, and it requires poets to follow a set of rules. Among those rules, tonal prosody is the most complex one, which has not been fully understood. For the most essential questions about tonal prosody, including (a) what the tonal patterns of Recent-style verse are, (b) what the critical features of the tonal prosody in Recent-style verse are, and (c) how the tonal prosody in Recent-style verse was developed throughout the history, we have not yet had satisfactory answers. To solve those problems, this dissertation thoroughly analyzes the pentasyllabic poems written by some representative poets in the early Tang dynasty (618-712). By employing statistical tests, this dissertation will figure out the features and rules of the tonal prosody in the early Tang period and compare them with those of pre-Tang eras, especially the Yongming永明 Era (483-493), and answer how Chinese poetic prosody was developed throughout history.This dissertation contains seven chapters. Chapter 1 is the introduction, which briefly summarizes the investigation of the tonal prosody of the Recent-style verse and its origin in the previous works, reviews the different approaches used in the field of Chinese poetic study, and discusses the research objectives of this study. Chapter 2 introduces the methodology and the statistical tests applied in this study. By employing the chi-square tests, Chapters 3, 4 and 5 respectively investigate the tonal distributions and the pair-wise tonal contrasts from the Yongming style verse to the Recent-style verse, and a special type of tonal pattern of the Recent-style verse. Chapter 6 examines the correlation between syntactic structures and the metrical structures and discusses the nature of Chinese poetic prosody. The last chapter summarizes the findings and conclusions drawn in this dissertation. It is my hope that this dissertation can not only introduce a new approach into the studies of the Recent-style verse and reveal the features of Chinese poetic prosody, but also shed a new light on the research of poetic meters cross-linguistically.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29208832
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