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Avant-Garde Historians: Poetic Experiments in Factography for the Ten-Year Anniversary of the October Revolution.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Avant-Garde Historians: Poetic Experiments in Factography for the Ten-Year Anniversary of the October Revolution./
Author:	Rewinski, Zachary.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2021,
Description:	279 p.
Notes:	Source: Dissertations Abstracts International, Volume: 83-01, Section: A.
Contained By:	Dissertations Abstracts International83-01A.
Subject:	Slavic literature. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28547217
ISBN:	9798516927232

Avant-Garde Historians: Poetic Experiments in Factography for the Ten-Year Anniversary of the October Revolution.
Rewinski, Zachary.

Avant-Garde Historians: Poetic Experiments in Factography for the Ten-Year Anniversary of the October Revolution. - Ann Arbor : ProQuest Dissertations & Theses, 2021 - 279 p.

Source: Dissertations Abstracts International, Volume: 83-01, Section: A.

Thesis (Ph.D.)--The University of Wisconsin - Madison, 2021.

This item must not be sold to any third party vendors.

This dissertation examines narrative poems (poemy) written in commemoration of the ten-year anniversary of the October Revolution by Nikolai Aseev and Vladimir Mayakovsky. These poets, experimenting with the theory of factography (faktografiia) advanced in 1927 by the Left Front of Arts (LEF) in its journal Novyi Lef, present historical narratives of the establishment of Bolshevik power in poetic form, and, in the common phrase of the time, "sum up accounts" of the years 1917-1927. These works are analyzed in the overlapping contexts of Lefist theory, ongoing debates over the shape and direction of Soviet literature, the cultural and historiographical norms and practices of the anniversary celebration itself, and the broader social, political, and cultural context of 1927. Given programmatic declarations of factography in each poet's poema, special analytic attention is devoted to these authors' overt and covert uses of factual source material in their compositions. It also identifies deviations, omissions, and distortions of that same material.Chapter 1 introduces these overlapping contexts as factors in the telling of October narratives. Chapter 2 analyzes Aseev's poema Semyon Proskakov and argues that despite declarations of factography and explicit use of source material, including previously unanalyzed archival documents, Aseev conforms the real-life figures in his narrative of the Civil War in Siberia, whether hero or villain, to character types common in Soviet literature of the 1920s. Chapter 3 analyzes Mayakovsky's poema Khorosho! with a focus on depiction of events of 1917, its use of source material, Mayakovsky's positioning of himself as a participant in and chronicler of these revolutionary events, and the satiric tactics he deploys against anti-Bolshevik figures. Chapter 4 summarizes the findings of the preceding chapters in terms of Aseev and Mayakovsky's experimental practices of factography and their place in the broader anniversary celebration. It concludes that both poets utilized the theory of factography selectively, but in accordance with the social mandate (sotsial'nyi zakaz) of their historical moment, to craft narratives that delegitimize the views and actions of anti-Bolshevik villains and legitimize Soviet political authority.

ISBN: 9798516927232Subjects--Topical Terms:

2144740
Slavic literature.
Subjects--Index Terms:

1920s

Avant-Garde Historians: Poetic Experiments in Factography for the Ten-Year Anniversary of the October Revolution.
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500 $a Source: Dissertations Abstracts International, Volume: 83-01, Section: A.
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520 $a This dissertation examines narrative poems (poemy) written in commemoration of the ten-year anniversary of the October Revolution by Nikolai Aseev and Vladimir Mayakovsky. These poets, experimenting with the theory of factography (faktografiia) advanced in 1927 by the Left Front of Arts (LEF) in its journal Novyi Lef, present historical narratives of the establishment of Bolshevik power in poetic form, and, in the common phrase of the time, "sum up accounts" of the years 1917-1927. These works are analyzed in the overlapping contexts of Lefist theory, ongoing debates over the shape and direction of Soviet literature, the cultural and historiographical norms and practices of the anniversary celebration itself, and the broader social, political, and cultural context of 1927. Given programmatic declarations of factography in each poet's poema, special analytic attention is devoted to these authors' overt and covert uses of factual source material in their compositions. It also identifies deviations, omissions, and distortions of that same material.Chapter 1 introduces these overlapping contexts as factors in the telling of October narratives. Chapter 2 analyzes Aseev's poema Semyon Proskakov and argues that despite declarations of factography and explicit use of source material, including previously unanalyzed archival documents, Aseev conforms the real-life figures in his narrative of the Civil War in Siberia, whether hero or villain, to character types common in Soviet literature of the 1920s. Chapter 3 analyzes Mayakovsky's poema Khorosho! with a focus on depiction of events of 1917, its use of source material, Mayakovsky's positioning of himself as a participant in and chronicler of these revolutionary events, and the satiric tactics he deploys against anti-Bolshevik figures. Chapter 4 summarizes the findings of the preceding chapters in terms of Aseev and Mayakovsky's experimental practices of factography and their place in the broader anniversary celebration. It concludes that both poets utilized the theory of factography selectively, but in accordance with the social mandate (sotsial'nyi zakaz) of their historical moment, to craft narratives that delegitimize the views and actions of anti-Bolshevik villains and legitimize Soviet political authority.
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