語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
到查詢結果
[ null ]
切換:
標籤
|
MARC模式
|
ISBD
FindBook
Google Book
Amazon
博客來
The written body: A study of movement-based actor training language & pedagogy.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The written body: A study of movement-based actor training language & pedagogy./
作者:
Calvano, Jenn.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2016,
面頁冊數:
238 p.
附註:
Source: Dissertations Abstracts International, Volume: 78-05, Section: A.
Contained By:
Dissertations Abstracts International78-05A.
標題:
Theater. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10150861
ISBN:
9781369056266
The written body: A study of movement-based actor training language & pedagogy.
Calvano, Jenn.
The written body: A study of movement-based actor training language & pedagogy.
- Ann Arbor : ProQuest Dissertations & Theses, 2016 - 238 p.
Source: Dissertations Abstracts International, Volume: 78-05, Section: A.
Thesis (Ph.D.)--University of Colorado at Boulder, 2016.
This item must not be sold to any third party vendors.
Currently theatre movement studies tend to occur in actor and director training, rather than introduction to theatre and theatre appreciation courses. Theatre scholars and theatregoers are educated in textual analysis; why are we not supplementing this education with training in movement analysis? Four specific, notable movement-based actor training approaches, which are being taught throughout the United States today are the focus of this study: Jerzy Grotowski's psychophysical actor training, Etienne Decroux's Corporeal Mime, Rudolf Laban's Movement Analysis, and Anne Bogart's Viewpoints. In addition to analyzing the language and pedagogy laid out in a text written by the originator of the approach, I observed and/or studied with prominent instructors throughout the United States currently teaching actor training in an evolved version of these approaches in an attempt to discern a common movement language. Experiencing the teaching of these forms physically enabled me to write from a place of embodiment, enhancing my experience with the approach's relationship to both the body and the mind. This study's importance reaches from furthering the dialogue between practical teaching of stage movement and its analysis to the impact a theatre specific movement analysis vocabulary will have on how scholars and audience members interact with theatre performance.
ISBN: 9781369056266Subjects--Topical Terms:
522973
Theater.
Subjects--Index Terms:
Actor training
The written body: A study of movement-based actor training language & pedagogy.
LDR
:02638nmm a2200397 4500
001
2348755
005
20220908125412.5
008
241004s2016 ||||||||||||||||| ||eng d
020
$a
9781369056266
035
$a
(MiAaPQ)AAI10150861
035
$a
(MiAaPQ)colorado:14382
035
$a
AAI10150861
040
$a
MiAaPQ
$c
MiAaPQ
100
1
$a
Calvano, Jenn.
$3
3688121
245
1 4
$a
The written body: A study of movement-based actor training language & pedagogy.
260
1
$a
Ann Arbor :
$b
ProQuest Dissertations & Theses,
$c
2016
300
$a
238 p.
500
$a
Source: Dissertations Abstracts International, Volume: 78-05, Section: A.
500
$a
Publisher info.: Dissertation/Thesis.
500
$a
Advisor: Pang, Cecilia J.;Gerland, Oliver.
502
$a
Thesis (Ph.D.)--University of Colorado at Boulder, 2016.
506
$a
This item must not be sold to any third party vendors.
520
$a
Currently theatre movement studies tend to occur in actor and director training, rather than introduction to theatre and theatre appreciation courses. Theatre scholars and theatregoers are educated in textual analysis; why are we not supplementing this education with training in movement analysis? Four specific, notable movement-based actor training approaches, which are being taught throughout the United States today are the focus of this study: Jerzy Grotowski's psychophysical actor training, Etienne Decroux's Corporeal Mime, Rudolf Laban's Movement Analysis, and Anne Bogart's Viewpoints. In addition to analyzing the language and pedagogy laid out in a text written by the originator of the approach, I observed and/or studied with prominent instructors throughout the United States currently teaching actor training in an evolved version of these approaches in an attempt to discern a common movement language. Experiencing the teaching of these forms physically enabled me to write from a place of embodiment, enhancing my experience with the approach's relationship to both the body and the mind. This study's importance reaches from furthering the dialogue between practical teaching of stage movement and its analysis to the impact a theatre specific movement analysis vocabulary will have on how scholars and audience members interact with theatre performance.
590
$a
School code: 0051.
650
4
$a
Theater.
$3
522973
650
4
$a
Performing arts.
$3
523119
650
4
$a
Performing arts education.
$3
3173434
653
$a
Actor training
653
$a
Movement
653
$a
Pedagogy
653
$a
Psychophysical
653
$a
Theatre
690
$a
0457
690
$a
0465
690
$a
0641
710
2
$a
University of Colorado at Boulder.
$b
Theatre and Dance.
$3
1024597
773
0
$t
Dissertations Abstracts International
$g
78-05A.
790
$a
0051
791
$a
Ph.D.
792
$a
2016
793
$a
English
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10150861
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9471193
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入
(1)帳號:一般為「身分證號」;外籍生或交換生則為「學號」。 (2)密碼:預設為帳號末四碼。
帳號
.
密碼
.
請在此電腦上記得個人資料
取消
忘記密碼? (請注意!您必須已在系統登記E-mail信箱方能使用。)