語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
到查詢結果
[ null ]
切換:
標籤
|
MARC模式
|
ISBD
FindBook
Google Book
Amazon
博客來
The Art of Collecting Fancy Paper: Understanding the Assignment of Values to Collecting Alternative Movie Posters.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The Art of Collecting Fancy Paper: Understanding the Assignment of Values to Collecting Alternative Movie Posters./
作者:
Ellis, Thomas David.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2020,
面頁冊數:
354 p.
附註:
Source: Dissertations Abstracts International, Volume: 83-02, Section: A.
Contained By:
Dissertations Abstracts International83-02A.
標題:
History. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28744993
ISBN:
9798535579580
The Art of Collecting Fancy Paper: Understanding the Assignment of Values to Collecting Alternative Movie Posters.
Ellis, Thomas David.
The Art of Collecting Fancy Paper: Understanding the Assignment of Values to Collecting Alternative Movie Posters.
- Ann Arbor : ProQuest Dissertations & Theses, 2020 - 354 p.
Source: Dissertations Abstracts International, Volume: 83-02, Section: A.
Thesis (Ph.D.)--University of Northumbria at Newcastle (United Kingdom), 2020.
This item must not be sold to any third party vendors.
This thesis focuses on the Alternative Movie Poster (AMP) and the collecting community surrounding it, adjacent to the position of modern collecting pursuits. This field presents an opportunity to evaluate contemporary practices in a modern context, demonstrating how collectors assign implicit and explicit, objective and subjective values to strategize and legitimise their actions. To conduct this research, thematic discourse analysis of interview data with gatekeepers and collectors was used. This was supported through primary investigation into the key components integral to the AMP, namely its inherent collectability, film as subject matter, and art and craft production processes, with much of this content informing the line of questioning adopted for interviews. The thesis moves to discuss the values assigned to production, which are enhanced and exploited by the AMP to increase desirability. This repositions the concept of the 'instant collectible', what it is and how it can be used to fulfil collector interests. These over engineered production values also assign sufficient credibility in proxy to the subject matter represented in the AMP, fulfilling collector desires to connect with film through a tangible vessel. Bourdieu's 'thinking tools', principally his notion of capital, aids the analysis of values assigned by collectors to practice. Their inherent desire to collect AMPs is based on a want to, knowingly or unknowingly, consistently accumulate capital, presenting a tangential topic of interest when considering traditional expectations outlined in collecting studies. Capital rationalises collecting practice where it has previously been considered, in part, irrational, and this in turn allows the collector to justify their interests in the adjacent fields integral to AMP collecting. However, evidence points towards the internal use of 'potential fixed capital' to fulfil subjective personal interests ultimately providing assurance of the self. This is inherently linked to tangibility, where the production values discussed can be considered 'hypertangible' to fully realise and release any potential capital value. These findings bring into focus the ongoing relevance of Bourdieu to the analysis of contemporary concerns, notably the use of capital in establishing an understanding of collecting activity. Furthermore, the evidence suggests that the collector internally utilises capital in justifying and legitimising collecting, a consideration which could be introduced into the wider field of study. The concept of the 'fan collector', being able to engage physically with an ethereal construct is not a new insight, but the thesis does recognise their strategy in relation to production values. Here a focus on quality and artistic merit raises the profile of the AMP adjacent to the text it represents, meeting certain criterial needs of the individual whose very identity is bound to such interests.
ISBN: 9798535579580Subjects--Topical Terms:
516518
History.
Subjects--Index Terms:
Alternative Movie Poster
The Art of Collecting Fancy Paper: Understanding the Assignment of Values to Collecting Alternative Movie Posters.
LDR
:04337nmm a2200433 4500
001
2348430
005
20220908125742.5
008
241004s2020 ||||||||||||||||| ||eng d
020
$a
9798535579580
035
$a
(MiAaPQ)AAI28744993
035
$a
(MiAaPQ)Northumbria_46707
035
$a
AAI28744993
040
$a
MiAaPQ
$c
MiAaPQ
100
1
$a
Ellis, Thomas David.
$3
3687785
245
1 4
$a
The Art of Collecting Fancy Paper: Understanding the Assignment of Values to Collecting Alternative Movie Posters.
260
1
$a
Ann Arbor :
$b
ProQuest Dissertations & Theses,
$c
2020
300
$a
354 p.
500
$a
Source: Dissertations Abstracts International, Volume: 83-02, Section: A.
500
$a
Advisor: Hunter, Russ.
502
$a
Thesis (Ph.D.)--University of Northumbria at Newcastle (United Kingdom), 2020.
506
$a
This item must not be sold to any third party vendors.
520
$a
This thesis focuses on the Alternative Movie Poster (AMP) and the collecting community surrounding it, adjacent to the position of modern collecting pursuits. This field presents an opportunity to evaluate contemporary practices in a modern context, demonstrating how collectors assign implicit and explicit, objective and subjective values to strategize and legitimise their actions. To conduct this research, thematic discourse analysis of interview data with gatekeepers and collectors was used. This was supported through primary investigation into the key components integral to the AMP, namely its inherent collectability, film as subject matter, and art and craft production processes, with much of this content informing the line of questioning adopted for interviews. The thesis moves to discuss the values assigned to production, which are enhanced and exploited by the AMP to increase desirability. This repositions the concept of the 'instant collectible', what it is and how it can be used to fulfil collector interests. These over engineered production values also assign sufficient credibility in proxy to the subject matter represented in the AMP, fulfilling collector desires to connect with film through a tangible vessel. Bourdieu's 'thinking tools', principally his notion of capital, aids the analysis of values assigned by collectors to practice. Their inherent desire to collect AMPs is based on a want to, knowingly or unknowingly, consistently accumulate capital, presenting a tangential topic of interest when considering traditional expectations outlined in collecting studies. Capital rationalises collecting practice where it has previously been considered, in part, irrational, and this in turn allows the collector to justify their interests in the adjacent fields integral to AMP collecting. However, evidence points towards the internal use of 'potential fixed capital' to fulfil subjective personal interests ultimately providing assurance of the self. This is inherently linked to tangibility, where the production values discussed can be considered 'hypertangible' to fully realise and release any potential capital value. These findings bring into focus the ongoing relevance of Bourdieu to the analysis of contemporary concerns, notably the use of capital in establishing an understanding of collecting activity. Furthermore, the evidence suggests that the collector internally utilises capital in justifying and legitimising collecting, a consideration which could be introduced into the wider field of study. The concept of the 'fan collector', being able to engage physically with an ethereal construct is not a new insight, but the thesis does recognise their strategy in relation to production values. Here a focus on quality and artistic merit raises the profile of the AMP adjacent to the text it represents, meeting certain criterial needs of the individual whose very identity is bound to such interests.
590
$a
School code: 5060.
650
4
$a
History.
$3
516518
650
4
$a
Recreation.
$3
535376
650
4
$a
Film studies.
$3
2122736
650
4
$a
Cinematography.
$3
546522
650
4
$a
Prints and printmaking.
$3
3564376
650
4
$a
Writing.
$3
551664
650
4
$a
Success.
$3
518195
650
4
$a
Audiences.
$3
618475
650
4
$a
Motion picture directors & producers.
$3
3556301
650
4
$a
Values.
$3
518648
650
4
$a
Art exhibits.
$3
3681459
650
4
$a
Documentary films.
$3
540573
650
4
$a
Interviews.
$3
856777
650
4
$a
Museums.
$3
569592
650
4
$a
Designers.
$3
589292
650
4
$a
Ephemera.
$3
3687786
650
4
$a
Conventions.
$3
3562375
650
4
$a
Book awards.
$3
3687787
650
4
$a
Collectors.
$3
3564161
650
4
$a
Power.
$3
518736
650
4
$a
Computer aided design--CAD.
$3
3561162
650
4
$a
Grass roots movement.
$3
3681881
650
4
$a
Posters.
$3
589165
650
4
$a
Popular culture.
$3
518723
650
4
$a
Provenance.
$3
3687788
653
$a
Alternative Movie Poster
653
$a
Poster values
653
$a
Poster collection
653
$a
Printmaking
653
$a
Advertising campaigns
653
$a
Motion picture industry
690
$a
0338
690
$a
0578
690
$a
0900
690
$a
0435
690
$a
0501
690
$a
0814
710
2
$a
University of Northumbria at Newcastle (United Kingdom).
$3
3545556
773
0
$t
Dissertations Abstracts International
$g
83-02A.
790
$a
5060
791
$a
Ph.D.
792
$a
2020
793
$a
English
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28744993
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9470868
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入
(1)帳號:一般為「身分證號」;外籍生或交換生則為「學號」。 (2)密碼:預設為帳號末四碼。
帳號
.
密碼
.
請在此電腦上記得個人資料
取消
忘記密碼? (請注意!您必須已在系統登記E-mail信箱方能使用。)