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Beyond the spectrum of music: An exploration through spectral analysis of sound color in the Alban Berg Violin Concerto.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Beyond the spectrum of music: An exploration through spectral analysis of sound color in the Alban Berg Violin Concerto./
Author:	Banuelos, Diego.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2005,
Description:	109 p.
Notes:	Source: Dissertations Abstracts International, Volume: 67-05, Section: A.
Contained By:	Dissertations Abstracts International67-05A.
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3175898
ISBN:	9780542139536

Beyond the spectrum of music: An exploration through spectral analysis of sound color in the Alban Berg Violin Concerto.
Banuelos, Diego.

Beyond the spectrum of music: An exploration through spectral analysis of sound color in the Alban Berg Violin Concerto. - Ann Arbor : ProQuest Dissertations & Theses, 2005 - 109 p.

Source: Dissertations Abstracts International, Volume: 67-05, Section: A.

Thesis (D.M.A.)--The University of Wisconsin - Madison, 2005.

This item must not be sold to any third party vendors.

Sound color, the inner life and constitution of sound, is one of the most elusive parameters in music, and consequently, one for which our vocabulary is most limited and least precise. Sound color could be described as the unified sonority of a musical "moment." It comprises harmony and timbre and it is perceived as a whole whether it is produced by a single or multiple sources. This paper presents an analytical approach that can be used to facilitate discussion of this musical parameter on the basis of its concrete sonic attributes, that is, the configuration of its partial frequencies, as represented in its Fourier spectrum. Using the data provided by Fourier spectra, the various algorithms I propose make it possible to derive visual representations of specific sonic elements, such as brightness or sensory roughness, directly from a digital recording. The resulting graphs elucidate the development of such elements through large sections of music, while providing a clear and concrete vocabulary to discuss them. The first two sections of this paper serve to introduce and define the abovementioned analytical tools. Meantime, the third section utilizes them in a comprehensive analysis of sound color in the second movement of the Alban Berg Violin Concerto. Sound examples and computer programs in MATLAB code can be found in the accompanying CD-ROM.* *This dissertation is a compound document (contains both a paper copy and a CD as part of the dissertation). The CD requires the following system requirements: Windows MediaPlayer or RealPlayer.

ISBN: 9780542139536Subjects--Topical Terms:

516178
Music.
Subjects--Index Terms:

Austria

Beyond the spectrum of music: An exploration through spectral analysis of sound color in the Alban Berg Violin Concerto.
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500 $a Source: Dissertations Abstracts International, Volume: 67-05, Section: A.
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520 $a Sound color, the inner life and constitution of sound, is one of the most elusive parameters in music, and consequently, one for which our vocabulary is most limited and least precise. Sound color could be described as the unified sonority of a musical "moment." It comprises harmony and timbre and it is perceived as a whole whether it is produced by a single or multiple sources. This paper presents an analytical approach that can be used to facilitate discussion of this musical parameter on the basis of its concrete sonic attributes, that is, the configuration of its partial frequencies, as represented in its Fourier spectrum. Using the data provided by Fourier spectra, the various algorithms I propose make it possible to derive visual representations of specific sonic elements, such as brightness or sensory roughness, directly from a digital recording. The resulting graphs elucidate the development of such elements through large sections of music, while providing a clear and concrete vocabulary to discuss them. The first two sections of this paper serve to introduce and define the abovementioned analytical tools. Meantime, the third section utilizes them in a comprehensive analysis of sound color in the second movement of the Alban Berg Violin Concerto. Sound examples and computer programs in MATLAB code can be found in the accompanying CD-ROM.* *This dissertation is a compound document (contains both a paper copy and a CD as part of the dissertation). The CD requires the following system requirements: Windows MediaPlayer or RealPlayer.
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