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A Shape Grammar for Hybridity: The Domestic Architecture of William Hajjar in State College, Pennsylvania.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
A Shape Grammar for Hybridity: The Domestic Architecture of William Hajjar in State College, Pennsylvania./
作者:
Hadighi, Mahyar.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2020,
面頁冊數:
233 p.
附註:
Source: Dissertations Abstracts International, Volume: 83-03, Section: A.
Contained By:
Dissertations Abstracts International83-03A.
標題:
Art history. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28778372
ISBN:
9798535592718
A Shape Grammar for Hybridity: The Domestic Architecture of William Hajjar in State College, Pennsylvania.
Hadighi, Mahyar.
A Shape Grammar for Hybridity: The Domestic Architecture of William Hajjar in State College, Pennsylvania.
- Ann Arbor : ProQuest Dissertations & Theses, 2020 - 233 p.
Source: Dissertations Abstracts International, Volume: 83-03, Section: A.
Thesis (Ph.D.)--The Pennsylvania State University, 2020.
The purpose of this study is to analyze William Hajjar's single-family houses in State College, Pennsylvania, home of the Pennsylvania State University's main campus, by using shape grammar as a computational design methodology. Shape grammar is used to verify and describe the influence of European modern architecture and American traditional architecture on Hajjar's domestic work. The analysis provides a foundation for developing a systematic methodology to analyze hybridity in architectural design. Hajjar, a member of the architecture faculty at the Pennsylvania State University (the Pennsylvania State College at the time) and a practitioner in State College, was an influential figure in the history of architecture in the area. In order to compare Hajjar's domestic architecture with European modern and American traditional architecture, this study follows three intertwined pathways: (1) Hajjar's life and practice are traced to identify likely influences on his work. (2) A shape grammar is developed for the houses he designed in State College. Further, shape grammars for some of the architecture likely to have influenced his architectural production are developed, specifically a grammar for the domestic architecture of Walter Gropius and/or Marcel Breuer in the United States and a grammar for traditional houses in the context in which Hajjar's work evolved. Hajjar's grammar is compared to and contrasted with the grammars of these works to identify similar rules among them and to thereby determine the nature and extent of these possible influences. (3) Aspects of the social and technological context that may explain these influences-i.e., trends in regard to lifestyle and available technology-are identified. The theoretical outcomes of this study answer these central questions in regard to the methodology and context: Can shape grammars be used to verify and describe the possible hybridity between modern and traditional architecture in Hajjar's work? More broadly, can shape grammars be used to describe an architectural hybridity phenomenon in general?
ISBN: 9798535592718Subjects--Topical Terms:
2122701
Art history.
Subjects--Index Terms:
Hajjar, William
A Shape Grammar for Hybridity: The Domestic Architecture of William Hajjar in State College, Pennsylvania.
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The purpose of this study is to analyze William Hajjar's single-family houses in State College, Pennsylvania, home of the Pennsylvania State University's main campus, by using shape grammar as a computational design methodology. Shape grammar is used to verify and describe the influence of European modern architecture and American traditional architecture on Hajjar's domestic work. The analysis provides a foundation for developing a systematic methodology to analyze hybridity in architectural design. Hajjar, a member of the architecture faculty at the Pennsylvania State University (the Pennsylvania State College at the time) and a practitioner in State College, was an influential figure in the history of architecture in the area. In order to compare Hajjar's domestic architecture with European modern and American traditional architecture, this study follows three intertwined pathways: (1) Hajjar's life and practice are traced to identify likely influences on his work. (2) A shape grammar is developed for the houses he designed in State College. Further, shape grammars for some of the architecture likely to have influenced his architectural production are developed, specifically a grammar for the domestic architecture of Walter Gropius and/or Marcel Breuer in the United States and a grammar for traditional houses in the context in which Hajjar's work evolved. Hajjar's grammar is compared to and contrasted with the grammars of these works to identify similar rules among them and to thereby determine the nature and extent of these possible influences. (3) Aspects of the social and technological context that may explain these influences-i.e., trends in regard to lifestyle and available technology-are identified. The theoretical outcomes of this study answer these central questions in regard to the methodology and context: Can shape grammars be used to verify and describe the possible hybridity between modern and traditional architecture in Hajjar's work? More broadly, can shape grammars be used to describe an architectural hybridity phenomenon in general?
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28778372
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