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Drawing Identities: An Ethnography o...

Kocelko, Melissa.

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Drawing Identities: An Ethnography of Indigenous Comic Book Creators.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Drawing Identities: An Ethnography of Indigenous Comic Book Creators./
Author:	Kocelko, Melissa.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
Description:	236 p.
Notes:	Source: Masters Abstracts International, Volume: 82-04.
Contained By:	Masters Abstracts International82-04.
Subject:	Native American studies. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28088828
ISBN:	9798678178954

Drawing Identities: An Ethnography of Indigenous Comic Book Creators.
Kocelko, Melissa.

Drawing Identities: An Ethnography of Indigenous Comic Book Creators. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 236 p.

Source: Masters Abstracts International, Volume: 82-04.

Thesis (M.A.)--University of Denver, 2020.

This item must not be sold to any third party vendors.

This research examines the experiences of Indigenous comic creators when making comic books, and I aim to investigate the individual and communal motivations for creating comics. Representations of Indigenous characters and storylines have primarily been told through a white lens in mainstream comics. Within the past five years, this trend has shifted with increased academic and public attention on Indigenous comic books and the rise of comic conventions like Indigenous Pop X. I argue that these comics are acts of decolonization and self-determination where creators use comics as educational tools and as a form of cultural preservation by documenting Indigenous histories, languages, and perspectives. The data was captured through participant observation at Indigenous Pop X and semi-structured interviews with six self-identified Indigenous comic book creators. These experiences were categorized with thematic and narrative analysis, and analyzed through the frameworks of postmodernism, decolonizing theories, and Tribal Critical Race theory.

ISBN: 9798678178954Subjects--Topical Terms:

2122730
Native American studies.
Subjects--Index Terms:

Comic books

Drawing Identities: An Ethnography of Indigenous Comic Book Creators.
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300 $a 236 p.
500 $a Source: Masters Abstracts International, Volume: 82-04.
500 $a Advisor: Gomez, Esteban.
502 $a Thesis (M.A.)--University of Denver, 2020.
506 $a This item must not be sold to any third party vendors.
520 $a This research examines the experiences of Indigenous comic creators when making comic books, and I aim to investigate the individual and communal motivations for creating comics. Representations of Indigenous characters and storylines have primarily been told through a white lens in mainstream comics. Within the past five years, this trend has shifted with increased academic and public attention on Indigenous comic books and the rise of comic conventions like Indigenous Pop X. I argue that these comics are acts of decolonization and self-determination where creators use comics as educational tools and as a form of cultural preservation by documenting Indigenous histories, languages, and perspectives. The data was captured through participant observation at Indigenous Pop X and semi-structured interviews with six self-identified Indigenous comic book creators. These experiences were categorized with thematic and narrative analysis, and analyzed through the frameworks of postmodernism, decolonizing theories, and Tribal Critical Race theory.
590 $a School code: 0061.
650 4 $a Native American studies. $3 2122730
650 4 $a Cultural anthropology. $3 2122764
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653 $a Decolonization
653 $a Indigenous
653 $a Representation
653 $a Sovereignty
690 $a 0740
690 $a 0326
710 2 $a University of Denver. $b Anthropology. $3 1674607
773 0 $t Masters Abstracts International $g 82-04.
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