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Sounding Sapmi in Multimedia: Gender...

Fuller, Kelsey A.

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Sounding Sapmi in Multimedia: Gender, Politics, and Indigenous Solidarity in Contemporary Sami Music.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Sounding Sapmi in Multimedia: Gender, Politics, and Indigenous Solidarity in Contemporary Sami Music./
Author:	Fuller, Kelsey A.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
Description:	289 p.
Notes:	Source: Dissertations Abstracts International, Volume: 82-07, Section: A.
Contained By:	Dissertations Abstracts International82-07A.
Subject:	Music history. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28155068
ISBN:	9798557023047

Sounding Sapmi in Multimedia: Gender, Politics, and Indigenous Solidarity in Contemporary Sami Music.
Fuller, Kelsey A.

Sounding Sapmi in Multimedia: Gender, Politics, and Indigenous Solidarity in Contemporary Sami Music. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 289 p.

Source: Dissertations Abstracts International, Volume: 82-07, Section: A.

Thesis (Ph.D.)--University of Colorado at Boulder, 2020.

This item must not be sold to any third party vendors.

The Sami are Indigenous peoples of northern Fenno-Scandinavia (Norway, Sweden, Finland, and the Kola Peninsula of Russia). While today the political and cultural initiatives of the Sami function both nationally and internationally, the Sami are, and have always been, a group of peoples with their own internal diversity of language, traditions, and lifeways. Similarly to many other Indigenous groups around the world, colonization and exploitation have affected the Sami, and their homeland Sapmi, since the seventeenth century. Popular genres of music have since the mid-twentieth century been outlets for protesting the unfair treatment of the Sami, and remain vibrant modes of expression today, used to voice challenges against institutionalized colonialism and the stereotypes and expectations of Indigeneity.Previous scholars in musicology and anthropology have focused their research mostly on the iconic Sami vocal tradition of joik or reindeer husbandry. However, this dissertation is concerned with how contemporary popular music and multimedia productions by and about Sami artists, whether they include these explicit ethnic markers or not, engage in forms of decolonial activism or protest, particularly in relation to Sami conceptions of intersectional ethnicity and gender. Sami popular music now exists in a variety of multimedia forms, such as music videos, social media content and discourses, feature films, and multimodal activist collaborations with other Indigenous musicians and activists around the world. In these venues, the artists challenge ethnic and gendered assumptions, practice global Indigenous networking and solidarity, and contribute to goals expressed by the Sami Parliaments such as language and cultural revitalization, environmental protection, and suicide prevention. Online and digital networks created by Indigenous activists often lead to collaborations in the corporeal world as well, where musicians and other artists collaborate as parts of larger projects and festivals. This dissertation examines the overlaying structures and issues, as well as several case studies, of each of these types of multimedia expressions, and provides insight into the topics, aesthetics, and political causes that are relevant to Sami artists making music in twenty-first century Fenno-Scandinavia.

ISBN: 9798557023047Subjects--Topical Terms:

3342382
Music history.
Subjects--Index Terms:

Multimedia

Sounding Sapmi in Multimedia: Gender, Politics, and Indigenous Solidarity in Contemporary Sami Music.
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