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"The Excavation of Artistic Process;...

McKinney, Todd Raymond.

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"The Excavation of Artistic Process; Mining for Knowledge, Technique and Materials to Create Form.".

Record Type:	Electronic resources : Monograph/item
Title/Author:	"The Excavation of Artistic Process; Mining for Knowledge, Technique and Materials to Create Form."./
Author:	McKinney, Todd Raymond.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
Description:	70 p.
Notes:	Source: Masters Abstracts International, Volume: 82-03.
Contained By:	Masters Abstracts International82-03.
Subject:	Art education. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28023636
ISBN:	9798662579019

"The Excavation of Artistic Process; Mining for Knowledge, Technique and Materials to Create Form.".
McKinney, Todd Raymond.

"The Excavation of Artistic Process; Mining for Knowledge, Technique and Materials to Create Form.". - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 70 p.

Source: Masters Abstracts International, Volume: 82-03.

Thesis (M.F.A.)--University of Washington, 2020.

This item must not be sold to any third party vendors.

My judgement is purely out of excitement or joy I get from a work. I often work on multiple pieces at a time. Time is instrumental to the process as it involves repeat judgement and meditation. Creation of a work can take weeks and sometimes even months. Before any painting session I mediate on the outcomes in my head. This helps me visualize my goals and reduce the chances of bad outcomes. If I do not give the work room to breathe, it usually ends in the works death. But somehow what is created in the process of a mistake, something interesting can happen. In contrast a feeling of dread, or the implication of violence can also be of equal importance. The work needs to be formally exciting, with a quality composition and the illusion of space. I am not interested in creating a pretty picture or working from observation, but rather working from and sparking the human imagination. What was the original thought or jumping point for the work? Have I followed the path of conception, or has the work evolved into something else? Is there a certain level of confusion or disorientation to the work? In this Instagram age we are consuming images at a rapid rate. I follow a lineage of MC Escher and Optical artists. Their works are both disorientating and visually interesting. They force you to really think about what you are observing as a human. The science of the brain and eyes as a sensory system interests me. I ask myself what we can perceive as humans and why are some things invisible to the human eye. Are we in fact hallucinating as a species? Our brains have been filling the blanks in our vision for a long time.

ISBN: 9798662579019Subjects--Topical Terms:

547650
Art education.
Subjects--Index Terms:

Artistic process

"The Excavation of Artistic Process; Mining for Knowledge, Technique and Materials to Create Form.".
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500 $a Source: Masters Abstracts International, Volume: 82-03.
500 $a Advisor: Govedare, Philip.
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520 $a My judgement is purely out of excitement or joy I get from a work. I often work on multiple pieces at a time. Time is instrumental to the process as it involves repeat judgement and meditation. Creation of a work can take weeks and sometimes even months. Before any painting session I mediate on the outcomes in my head. This helps me visualize my goals and reduce the chances of bad outcomes. If I do not give the work room to breathe, it usually ends in the works death. But somehow what is created in the process of a mistake, something interesting can happen. In contrast a feeling of dread, or the implication of violence can also be of equal importance. The work needs to be formally exciting, with a quality composition and the illusion of space. I am not interested in creating a pretty picture or working from observation, but rather working from and sparking the human imagination. What was the original thought or jumping point for the work? Have I followed the path of conception, or has the work evolved into something else? Is there a certain level of confusion or disorientation to the work? In this Instagram age we are consuming images at a rapid rate. I follow a lineage of MC Escher and Optical artists. Their works are both disorientating and visually interesting. They force you to really think about what you are observing as a human. The science of the brain and eyes as a sensory system interests me. I ask myself what we can perceive as humans and why are some things invisible to the human eye. Are we in fact hallucinating as a species? Our brains have been filling the blanks in our vision for a long time.
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