東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back to Search results for [ null ]

Switch To: Labeled | MARC Mode | ISBD

De las montanas al corazon de las mo...

Arroyave, Juan Felipe.

Linked to FindBook

Google Book

Amazon

博客來

De las montanas al corazon de las montanas: Colombia en la pintura de lo natural.

Record Type:	Electronic resources : Monograph/item
Title/Author:	De las montanas al corazon de las montanas: Colombia en la pintura de lo natural./
Author:	Arroyave, Juan Felipe.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2019,
Description:	243 p.
Notes:	Source: Dissertations Abstracts International, Volume: 81-05, Section: A.
Contained By:	Dissertations Abstracts International81-05A.
Subject:	Latin American studies. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=22614984
ISBN:	9781088379073

De las montanas al corazon de las montanas: Colombia en la pintura de lo natural.
Arroyave, Juan Felipe.

De las montanas al corazon de las montanas: Colombia en la pintura de lo natural. - Ann Arbor : ProQuest Dissertations & Theses, 2019 - 243 p.

Source: Dissertations Abstracts International, Volume: 81-05, Section: A.

Thesis (Ph.D.)--University of Washington, 2019.

This item must not be sold to any third party vendors.

Ever since the times of colonial rule, the relationship between image and space has been at the crux of Colombia's political issues, and images of nature have been a tool used extensively by agents of the government, patriots, and critics of the status quo. This dissertation follows the development of nature painting in Colombia, and the nexus that ties specific images to specific ideological movements. These "practices of space" present images that reflect political agendas of the painters and their employers, and articulate a new reality to be promoted inside and outside of the country. The overly scientific and objective approaches to nature painting that were in vogue for the better part of the 18th and 19th centuries failed to make a territory as complex as Colombia seem cohesive or understandable, and instead contributed to the further racial, economic and political regionalization; in contrast, the second half of the 20th century saw painters abandon these practices to instead focus on the relationship of space and the individual, opening the door to the affective exploration of Colombia's landscape.

ISBN: 9781088379073Subjects--Topical Terms:

2122903
Latin American studies.
Subjects--Index Terms:

Arte colombiano

De las montanas al corazon de las montanas: Colombia en la pintura de lo natural.
LDR:02428nmm a2200409 4500 001 2274085
005 20201120111323.5
008 220629s2019 ||||||||||||||||| ||eng d
020 $a 9781088379073
035 $a (MiAaPQ)AAI22614984
035 $a AAI22614984
040 $a MiAaPQ $c MiAaPQ
100 1 $a Arroyave, Juan Felipe. $3 3551548
245 1 0 $a De las montanas al corazon de las montanas: Colombia en la pintura de lo natural.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2019
300 $a 243 p.
500 $a Source: Dissertations Abstracts International, Volume: 81-05, Section: A.
500 $a Advisor: O'Hara, Edgar.
502 $a Thesis (Ph.D.)--University of Washington, 2019.
506 $a This item must not be sold to any third party vendors.
506 $a This item must not be added to any third party search indexes.
520 $a Ever since the times of colonial rule, the relationship between image and space has been at the crux of Colombia's political issues, and images of nature have been a tool used extensively by agents of the government, patriots, and critics of the status quo. This dissertation follows the development of nature painting in Colombia, and the nexus that ties specific images to specific ideological movements. These "practices of space" present images that reflect political agendas of the painters and their employers, and articulate a new reality to be promoted inside and outside of the country. The overly scientific and objective approaches to nature painting that were in vogue for the better part of the 18th and 19th centuries failed to make a territory as complex as Colombia seem cohesive or understandable, and instead contributed to the further racial, economic and political regionalization; in contrast, the second half of the 20th century saw painters abandon these practices to instead focus on the relationship of space and the individual, opening the door to the affective exploration of Colombia's landscape.
590 $a School code: 0250.
650 4 $a Latin American studies. $3 2122903
650 4 $a Art criticism. $3 526357
650 4 $a Latin American history. $3 2122902
653 $a Arte colombiano
653 $a Comision corografica
653 $a Grau, Enrique
653 $a Gilmour, Ethel
653 $a Expedicion botanica
653 $a Ariza, Gonzalo
653 $a Colombia
690 $a 0550
690 $a 0365
690 $a 0336
710 2 $a University of Washington. $b Spanish and Portuguese Studies. $3 3434539
773 0 $t Dissertations Abstracts International $g 81-05A.
790 $a 0250
791 $a Ph.D.
792 $a 2019
793 $a Spanish
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=22614984