東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back to Search results for [ null ]

Switch To: Labeled | MARC Mode | ISBD

Posthuman Musical Contexts: Live Pro...

Kilroy, Patti.

Linked to FindBook

Google Book

Amazon

博客來

Posthuman Musical Contexts: Live Processing's Impact on Performance Practice in Electroacoustic Music.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Posthuman Musical Contexts: Live Processing's Impact on Performance Practice in Electroacoustic Music./
Author:	Kilroy, Patti.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2019,
Description:	233 p.
Notes:	Source: Dissertations Abstracts International, Volume: 80-12, Section: A.
Contained By:	Dissertations Abstracts International80-12A.
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13885646
ISBN:	9781392211717

Posthuman Musical Contexts: Live Processing's Impact on Performance Practice in Electroacoustic Music.
Kilroy, Patti.

Posthuman Musical Contexts: Live Processing's Impact on Performance Practice in Electroacoustic Music. - Ann Arbor : ProQuest Dissertations & Theses, 2019 - 233 p.

Source: Dissertations Abstracts International, Volume: 80-12, Section: A.

Thesis (Ph.D.)--New York University, 2019.

This item must not be sold to any third party vendors.

Tropes from the literature on posthumanism, which explores how human experience is impacted as life is increasingly mediated by technology, provide a means by which to describe phenomena in electroacoustic music performance. Although electronics are increasingly common in classical and popular settings. this performance practice is largely undocumented. Approaches utilized to play with live processing, which includes reverberation, harmonization, and modulation effects, are not adequately described by frameworks suggested in the literature, which relies on parallels to acoustic environments, and assumes interactivity. Musical contexts with live processing are difficult to replicate via exclusively acoustic means, and are therefore posthuman.Using a grounded theory methodology, my study investigates posthuman practices in music of Kaija Saariaho, and the independent rock band OWEL. In interviews with musicians who recorded Saariaho's Nymphea, and my own experience working on Nymphea, Frises, and with OWEL, posthuman features of performance such as disembodiment, simulation, hybridity, virtuality, distributed cognition, mutation, and feedback loops emerge as thematic. Distributed cognition, created through amplification, processing, and engineers, profoundly impacts the performer's agency over the sound, and can be articulated through networks of interaction. Tropes are refined to suit performance practice through categorization into features and processes, specification and further distinction of terms such as hybridity and mutation, and cyborg. Practices developed to navigate the posthuman, even if delimited to those containing live processing electronics, are highly individualized and dependent on context and available interfaces.

ISBN: 9781392211717Subjects--Topical Terms:

516178
Music.
Subjects--Index Terms:

Amplification

Posthuman Musical Contexts: Live Processing's Impact on Performance Practice in Electroacoustic Music.
LDR:03069nmm a2200409 4500 001 2268541
005 20200824072326.5
008 220629s2019 ||||||||||||||||| ||eng d
020 $a 9781392211717
035 $a (MiAaPQ)AAI13885646
035 $a (MiAaPQ)steinhardt.nyu:10663
035 $a AAI13885646
040 $a MiAaPQ $c MiAaPQ
100 1 $a Kilroy, Patti. $3 3545828
245 1 0 $a Posthuman Musical Contexts: Live Processing's Impact on Performance Practice in Electroacoustic Music.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2019
300 $a 233 p.
500 $a Source: Dissertations Abstracts International, Volume: 80-12, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: Nonken, Marilyn.
502 $a Thesis (Ph.D.)--New York University, 2019.
506 $a This item must not be sold to any third party vendors.
520 $a Tropes from the literature on posthumanism, which explores how human experience is impacted as life is increasingly mediated by technology, provide a means by which to describe phenomena in electroacoustic music performance. Although electronics are increasingly common in classical and popular settings. this performance practice is largely undocumented. Approaches utilized to play with live processing, which includes reverberation, harmonization, and modulation effects, are not adequately described by frameworks suggested in the literature, which relies on parallels to acoustic environments, and assumes interactivity. Musical contexts with live processing are difficult to replicate via exclusively acoustic means, and are therefore posthuman.Using a grounded theory methodology, my study investigates posthuman practices in music of Kaija Saariaho, and the independent rock band OWEL. In interviews with musicians who recorded Saariaho's Nymphea, and my own experience working on Nymphea, Frises, and with OWEL, posthuman features of performance such as disembodiment, simulation, hybridity, virtuality, distributed cognition, mutation, and feedback loops emerge as thematic. Distributed cognition, created through amplification, processing, and engineers, profoundly impacts the performer's agency over the sound, and can be articulated through networks of interaction. Tropes are refined to suit performance practice through categorization into features and processes, specification and further distinction of terms such as hybridity and mutation, and cyborg. Practices developed to navigate the posthuman, even if delimited to those containing live processing electronics, are highly individualized and dependent on context and available interfaces.
590 $a School code: 0146.
650 4 $a Music. $3 516178
650 4 $a Performing arts education. $3 3173434
650 4 $a Performing Arts. $3 896022
653 $a Amplification
653 $a Electronic music
653 $a Performance practice
653 $a Popular music
653 $a Posthuman
653 $a Saariaho, Kaija
690 $a 0413
690 $a 0457
690 $a 0641
710 2 $a New York University. $b Music and Performing Arts Professions. $3 1669939
773 0 $t Dissertations Abstracts International $g 80-12A.
790 $a 0146
791 $a Ph.D.
792 $a 2019
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13885646