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The Baroque oratorio Passion: A cond...

Duff, Robert Paul David.

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The Baroque oratorio Passion: A conductor's guide to compositional techniques and their foundations.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The Baroque oratorio Passion: A conductor's guide to compositional techniques and their foundations./
Author:	Duff, Robert Paul David.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2000,
Description:	176 p.
Notes:	Source: Dissertations Abstracts International, Volume: 63-12, Section: A.
Contained By:	Dissertations Abstracts International63-12A.
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3041447
ISBN:	9780493549064

The Baroque oratorio Passion: A conductor's guide to compositional techniques and their foundations.
Duff, Robert Paul David.

The Baroque oratorio Passion: A conductor's guide to compositional techniques and their foundations. - Ann Arbor : ProQuest Dissertations & Theses, 2000 - 176 p.

Source: Dissertations Abstracts International, Volume: 63-12, Section: A.

Thesis (D.M.A.)--University of Southern California, 2000.

This item must not be sold to any third party vendors.

The proclamation of the Passion has been core to the faith of Christians for nearly two millennia. From earliest times, cultures have kept sacred this proclamation through rituals both liturgical and dramatic. This sacred observance is the basis of this treatise that, in broad terms, explores how music intersects with these ritualized commemorations. This treatise specifically examines one era of Passion proclamation: the oratorio passion in Lutheran Germany between 1643 and 1700. The treatise surveys four settings of the Passion, beginning with the first documented oratorio passion (Selle, 1643), and continuing with settings by Sebastiani (1665), Theile (1673) and Meder (1700). Comparative analyses illustrate significant differences between these settings and show how these differences are reflected in the extant Passion settings of J. S. Bach. The treatise is organized into eight chapters. Chapter one outlines the structure of the treatise. Chapter two provides an abbreviated history of the Passion from early Christendom through the Baroque. Chapter three surveys Thomas Selle's Passion nach dem Evangelisten Johannes, one of the first oratorio passion settings. Chapter four investigates the compositional process exemplified by Selle in 1643 and how it matured in Johann Sebastiani's most successful composition, Das Leyden und Sterben unsers Herrn und Heylandes Jesu Christi nach dem heiligen Matthaeo (1665). Chapter five examines Johann Theile's Passion nach dem Heiligen Evangelisten Matthao (1673) and its progressive use of non-biblical texts in its four strophic arias. In Chapter six, Johann Valentin Meder's Oratorische Passion nach Matthaus (1700) is featured, demonstrating the development of interpolated chorales, the more extensive settings in arioso, and Meder's connection to Buxtehude. Chapter seven summarizes the findings of Chapters two through six, highlights the differences between the settings, and provides insight into Bach's setting of the Matthaus-Passion . Chapter eight summarizes the various items presented throughout the treatise and gives suggestions for score preparation.

ISBN: 9780493549064Subjects--Topical Terms:

516178
Music.
Subjects--Index Terms:

Baroque

The Baroque oratorio Passion: A conductor's guide to compositional techniques and their foundations.
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520 $a The proclamation of the Passion has been core to the faith of Christians for nearly two millennia. From earliest times, cultures have kept sacred this proclamation through rituals both liturgical and dramatic. This sacred observance is the basis of this treatise that, in broad terms, explores how music intersects with these ritualized commemorations. This treatise specifically examines one era of Passion proclamation: the oratorio passion in Lutheran Germany between 1643 and 1700. The treatise surveys four settings of the Passion, beginning with the first documented oratorio passion (Selle, 1643), and continuing with settings by Sebastiani (1665), Theile (1673) and Meder (1700). Comparative analyses illustrate significant differences between these settings and show how these differences are reflected in the extant Passion settings of J. S. Bach. The treatise is organized into eight chapters. Chapter one outlines the structure of the treatise. Chapter two provides an abbreviated history of the Passion from early Christendom through the Baroque. Chapter three surveys Thomas Selle's Passion nach dem Evangelisten Johannes, one of the first oratorio passion settings. Chapter four investigates the compositional process exemplified by Selle in 1643 and how it matured in Johann Sebastiani's most successful composition, Das Leyden und Sterben unsers Herrn und Heylandes Jesu Christi nach dem heiligen Matthaeo (1665). Chapter five examines Johann Theile's Passion nach dem Heiligen Evangelisten Matthao (1673) and its progressive use of non-biblical texts in its four strophic arias. In Chapter six, Johann Valentin Meder's Oratorische Passion nach Matthaus (1700) is featured, demonstrating the development of interpolated chorales, the more extensive settings in arioso, and Meder's connection to Buxtehude. Chapter seven summarizes the findings of Chapters two through six, highlights the differences between the settings, and provides insight into Bach's setting of the Matthaus-Passion . Chapter eight summarizes the various items presented throughout the treatise and gives suggestions for score preparation.
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