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War in Words and Pictures: Photograp...

McLemore, Elaine.

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War in Words and Pictures: Photography and Aestheticization of Politics in "Life" Magazine, 1936-1972.

Record Type:	Electronic resources : Monograph/item
Title/Author:	War in Words and Pictures: Photography and Aestheticization of Politics in "Life" Magazine, 1936-1972./
Author:	McLemore, Elaine.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2012,
Description:	196 p.
Notes:	Source: Dissertations Abstracts International, Volume: 74-11, Section: A.
Contained By:	Dissertations Abstracts International74-11A.
Subject:	American history. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3558638
ISBN:	9781303030994

War in Words and Pictures: Photography and Aestheticization of Politics in "Life" Magazine, 1936-1972.
McLemore, Elaine.

War in Words and Pictures: Photography and Aestheticization of Politics in "Life" Magazine, 1936-1972. - Ann Arbor : ProQuest Dissertations & Theses, 2012 - 196 p.

Source: Dissertations Abstracts International, Volume: 74-11, Section: A.

Thesis (Ph.D.)--The Claremont Graduate University, 2012.

This item is not available from ProQuest Dissertations & Theses.

This project is the history of war photography in Life magazine, an American idea and a cultural object. As an idea, Life originated with Henry R. Luce, who wanted his magazine to chronicle the successes of the nationalism and American possibility he so wholeheartedly believed in. As a cultural object, the magazine is a record of how that vision actually played out in images and their accompanying written texts. Life meant to be, was, and is known for its visuals, specifically its photo-essays, with their clear beginning, middle and end and clear messaging. Life's photographic essays represented a form of political imagining that thrived during World War II, when circulation numbers skyrocketed and the magazine collaborated with censors in the Roosevelt administration, but became less desirable and less persuasive during the Korean War and later the war in Vietnam, so much so that the magazine eventually folded. What led to Life's most iconic photographic essays of the Second World War and what changed, internally at the magazine and in American culture, to make the medium ineffectual by the time of the Vietnam War is the topic of this dissertation.

ISBN: 9781303030994Subjects--Topical Terms:

2122692
American history.

War in Words and Pictures: Photography and Aestheticization of Politics in "Life" Magazine, 1936-1972.
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245 1 0 $a War in Words and Pictures: Photography and Aestheticization of Politics in "Life" Magazine, 1936-1972.
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500 $a Source: Dissertations Abstracts International, Volume: 74-11, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Goode, Joshua.
502 $a Thesis (Ph.D.)--The Claremont Graduate University, 2012.
506 $a This item is not available from ProQuest Dissertations & Theses.
506 $a This item must not be added to any third party search indexes.
506 $a This item must not be sold to any third party vendors.
520 $a This project is the history of war photography in Life magazine, an American idea and a cultural object. As an idea, Life originated with Henry R. Luce, who wanted his magazine to chronicle the successes of the nationalism and American possibility he so wholeheartedly believed in. As a cultural object, the magazine is a record of how that vision actually played out in images and their accompanying written texts. Life meant to be, was, and is known for its visuals, specifically its photo-essays, with their clear beginning, middle and end and clear messaging. Life's photographic essays represented a form of political imagining that thrived during World War II, when circulation numbers skyrocketed and the magazine collaborated with censors in the Roosevelt administration, but became less desirable and less persuasive during the Korean War and later the war in Vietnam, so much so that the magazine eventually folded. What led to Life's most iconic photographic essays of the Second World War and what changed, internally at the magazine and in American culture, to make the medium ineffectual by the time of the Vietnam War is the topic of this dissertation.
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