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Italian style = fashion & film from ...

Paulicelli, Eugenia, (1958-)

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Italian style = fashion & film from early cinema to the digital age /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Italian style/ Eugenia Paulicelli.
Reminder of title:	fashion & film from early cinema to the digital age /
Author:	Paulicelli, Eugenia,
Published:	New York :Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc., : 2016.,
Description:	1 online resource (xiii, 272 p.)
[NT 15003449]:	Machine generated contents note: -- Part I. Fashion, cinema and Italian identity -- From France to Italy. fashion, modernity and film -- Nationalism: fashion as propaganda in the 1930s -- Part II. Towards the launch of Italian style through cinema, fashion and design -- From neorealism to the launch of Italian fashion (1942-1966) -- Fashion, film and consumption during the economic miracle. -- From Modernism to excess: Antonioni, Fellini and Visconti. Italian filmmakers and their transnational language -- The Italian road to modernity: between crisis, melodrama, comedy and critique -- Part III. From Rome to Milan: the crisis of couture and the launch of Milan Pr{circ}et-{acute}a-Porter -- Italian fashion brands and foreign movies: Giorgio Armani and American Gigolo, The Untouchables (1968-1980s) -- Film and fashion fostalgia in the new millennium: between the digital revolution, globalization and 'Made in Italy'.
Subject:	Motion pictures - History. - Italy -
Online resource:	http://dx.doi.org/10.5040/9781501302473?locatt=label:secondary_bloomsburyCollections
ISBN:	9781501302473 (e-book)

Italian style = fashion & film from early cinema to the digital age /
Paulicelli, Eugenia,1958-

Italian stylefashion & film from early cinema to the digital age /[electronic resource] :Eugenia Paulicelli. - New York :Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc.,2016. - 1 online resource (xiii, 272 p.) - Topics and issues in national cinema.

Includes bibliographical references and index.

Machine generated contents note: -- Part I. Fashion, cinema and Italian identity -- From France to Italy. fashion, modernity and film -- Nationalism: fashion as propaganda in the 1930s -- Part II. Towards the launch of Italian style through cinema, fashion and design -- From neorealism to the launch of Italian fashion (1942-1966) -- Fashion, film and consumption during the economic miracle. -- From Modernism to excess: Antonioni, Fellini and Visconti. Italian filmmakers and their transnational language -- The Italian road to modernity: between crisis, melodrama, comedy and critique -- Part III. From Rome to Milan: the crisis of couture and the launch of Milan Pr{circ}et-{acute}a-Porter -- Italian fashion brands and foreign movies: Giorgio Armani and American Gigolo, The Untouchables (1968-1980s) -- Film and fashion fostalgia in the new millennium: between the digital revolution, globalization and 'Made in Italy'.

"Provides an historical and theoretical framework to understand the different typologies and meanings of costume in film, going beyond content and identity of a character."--

ISBN: 9781501302473 (e-book)Subjects--Topical Terms:

759739
Motion pictures
--History.--Italy

LC Class. No.: PN1993.5.I88

Dewey Class. No.: 791.430945

Italian style = fashion & film from early cinema to the digital age /
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100 1 $a Paulicelli, Eugenia, $d 1958- $e author. $3 3395345
245 1 0 $a Italian style $h [electronic resource] : $b fashion & film from early cinema to the digital age / $c Eugenia Paulicelli.
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300 $a 1 online resource (xiii, 272 p.)
490 0 $a Topics and issues in national cinema
504 $a Includes bibliographical references and index.
505 8 $a Machine generated contents note: -- Part I. Fashion, cinema and Italian identity -- From France to Italy. fashion, modernity and film -- Nationalism: fashion as propaganda in the 1930s -- Part II. Towards the launch of Italian style through cinema, fashion and design -- From neorealism to the launch of Italian fashion (1942-1966) -- Fashion, film and consumption during the economic miracle. -- From Modernism to excess: Antonioni, Fellini and Visconti. Italian filmmakers and their transnational language -- The Italian road to modernity: between crisis, melodrama, comedy and critique -- Part III. From Rome to Milan: the crisis of couture and the launch of Milan Pr{circ}et-{acute}a-Porter -- Italian fashion brands and foreign movies: Giorgio Armani and American Gigolo, The Untouchables (1968-1980s) -- Film and fashion fostalgia in the new millennium: between the digital revolution, globalization and 'Made in Italy'.
520 $a "Provides an historical and theoretical framework to understand the different typologies and meanings of costume in film, going beyond content and identity of a character."--
650 0 $a Motion pictures $z Italy $x History. $3 759739
650 0 $a Fashion in motion pictures. $3 925774
650 0 $a Costume $x Symbolic aspects. $3 577979
650 0 $a National characteristics in motion pictures. $3 813656
856 4 0 $u http://dx.doi.org/10.5040/9781501302473?locatt=label:secondary_bloomsburyCollections