東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back to Search results for [ null ]

Switch To: Labeled | MARC Mode | ISBD

Giambattista Velluti in London (1825...

Crowe, Robert William.

Linked to FindBook

Google Book

Amazon

博客來

Giambattista Velluti in London (1825-1829): Literary Constructions of the Last Operatic Castrato.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Giambattista Velluti in London (1825-1829): Literary Constructions of the Last Operatic Castrato./
Author:	Crowe, Robert William.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2017,
Description:	500 p.
Notes:	Source: Dissertation Abstracts International, Volume: 79-01(E), Section: A.
Contained By:	Dissertation Abstracts International79-01A(E).
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10268397
ISBN:	9780355141832

Giambattista Velluti in London (1825-1829): Literary Constructions of the Last Operatic Castrato.
Crowe, Robert William.

Giambattista Velluti in London (1825-1829): Literary Constructions of the Last Operatic Castrato. - Ann Arbor : ProQuest Dissertations & Theses, 2017 - 500 p.

Source: Dissertation Abstracts International, Volume: 79-01(E), Section: A.

Thesis (Ph.D.)--Boston University, 2017.

This work is concerned primarily with the five seasons the castrato soprano, Giovanni Battista Velluti spent in London between 1825 and 1829. This time-place is unique in operatic history insofar as it sees the meeting of the new, exhaustively detailed, descriptive musical-critical journalism that emerged in the nineteenth century as it encountered the last operatic castrato in the last decade of his public performing career.

ISBN: 9780355141832Subjects--Topical Terms:

516178
Music.

Giambattista Velluti in London (1825-1829): Literary Constructions of the Last Operatic Castrato.
LDR:03377nmm a2200373 4500 001 2158508
005 20180614071645.5
008 190424s2017 ||||||||||||||||| ||eng d
020 $a 9780355141832
035 $a (MiAaPQ)AAI10268397
035 $a (MiAaPQ)bu:12956
035 $a AAI10268397
040 $a MiAaPQ $c MiAaPQ
100 1 $a Crowe, Robert William. $3 3346330
245 1 0 $a Giambattista Velluti in London (1825-1829): Literary Constructions of the Last Operatic Castrato.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2017
300 $a 500 p.
500 $a Source: Dissertation Abstracts International, Volume: 79-01(E), Section: A.
500 $a Adviser: Joshua Rifkin.
502 $a Thesis (Ph.D.)--Boston University, 2017.
520 $a This work is concerned primarily with the five seasons the castrato soprano, Giovanni Battista Velluti spent in London between 1825 and 1829. This time-place is unique in operatic history insofar as it sees the meeting of the new, exhaustively detailed, descriptive musical-critical journalism that emerged in the nineteenth century as it encountered the last operatic castrato in the last decade of his public performing career.
520 $a Beginning with a historiographical overview of writings about the castrati, spanning from the early eighteenth century to the present day, the introduction establishes the methodological and thematic placement of this dissertation. Chapter 1 details the events of the last fifteen years of Velluti's career. These almost exactly overlap the period of his presence in English periodicals and the focus of the next chapter, the late, English, literary Romantic. The Romantics were deeply interested in music and were the principal intellectual creators of the music critical style that arose in the 1820s. Their cognition will be explored to the extent it can found utilized in writing about the voice, the otherness of disability and horror and fear of the other intruding upon the personal space of the self.
520 $a Chapters 3 and 4 will proceed from literarily expressed cognitive understanding to the operatic voice of the 1820s: not only the castrato, but female singers, tenors and countertenors. While chapter 4 establishes the manner in which these voices functioned in their various, clearly audible registers, chapter 5 will then explore the meanings that each of these registers conveyed, especially regarding perceived gender and disability. These meanings are reinforced by excerpts of poetry and prose, fact and fiction, from England and the Continent.
520 $a Chapter 5 examines the two ornamentational styles of Velluti, as they survive in published and manuscript sources from the 1810s and 1820s, comparing them to other singers of his time and reading them as literary texts. Velluti's highly literary rather than purely melodic ornamentation lends itself particularly to this cross-disciplinary approach. The work concludes with a short chapter concerning the end of Velluti's life and the last two castrati, one undoubted, one dubious, to appear on the English concert stage.
590 $a School code: 0017.
650 4 $a Music. $3 516178
650 4 $a Gender studies. $3 2122708
650 4 $a British & Irish literature. $3 3284317
650 4 $a Music history. $3 3342382
650 4 $a Biographies. $3 795061
690 $a 0413
690 $a 0733
690 $a 0593
690 $a 0208
690 $a 0304
710 2 $a Boston University. $b Musicology. $3 3179795
773 0 $t Dissertation Abstracts International $g 79-01A(E).
790 $a 0017
791 $a Ph.D.
792 $a 2017
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10268397