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Studies in Literary Resonance: Noval...

Grimm, Erin Michael.

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Studies in Literary Resonance: Novalis, Tiutchev, Hoffmann, Odoevsky and Rousseau.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Studies in Literary Resonance: Novalis, Tiutchev, Hoffmann, Odoevsky and Rousseau./
Author:	Grimm, Erin Michael.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2014,
Description:	82 p.
Notes:	Source: Masters Abstracts International, Volume: 53-03.
Contained By:	Masters Abstracts International53-03(E).
Subject:	German literature. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1560108
ISBN:	9781321016802

Studies in Literary Resonance: Novalis, Tiutchev, Hoffmann, Odoevsky and Rousseau.
Grimm, Erin Michael.

Studies in Literary Resonance: Novalis, Tiutchev, Hoffmann, Odoevsky and Rousseau. - Ann Arbor : ProQuest Dissertations & Theses, 2014 - 82 p.

Source: Masters Abstracts International, Volume: 53-03.

Thesis (M.A.)--University of California, Davis, 2014.

This item is not available from ProQuest Dissertations & Theses.

While many have attested to resonance between the poetic worlds of German poet-novelist Novalis (1772-1801) and Fyodor Ivanovich Tyutchev (1803-1873), few have examined the nature of this affinity. This is likely because, in this case, the question of direct influence is a fraught one. In this paper I argue that the similarities between the two writers are the result of their mutual erudition and familiarity with German literature and philosophy. In particular, I investigate the role of unity in their works. The concept of unity, I argue, is the common link between them. It is both the oft-cited overarching principle of Novalis's writings and the defining organizational principle of Tyutchev's night poetry. I explore the philosophical stakes of this by drawing on the philosophy of Fichte, Novalis's philosophical writings and focalization theory. Unity in both Novalis and Tyutchev is the unity of the focalizing subject-poet with his object. In the spatial realm this results in the following: poet and landscape merge in mutual encompassing. The poetic subject in their works frequently navigates an internal space after experiencing the transition from light (day) to darkness (night), moving away from a standard landscape in order to traverse subjective terrain.

ISBN: 9781321016802Subjects--Topical Terms:

699188
German literature.

Studies in Literary Resonance: Novalis, Tiutchev, Hoffmann, Odoevsky and Rousseau.
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245 1 0 $a Studies in Literary Resonance: Novalis, Tiutchev, Hoffmann, Odoevsky and Rousseau.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2014
300 $a 82 p.
500 $a Source: Masters Abstracts International, Volume: 53-03.
500 $a Adviser: Elisabeth Krimmer.
502 $a Thesis (M.A.)--University of California, Davis, 2014.
506 $a This item is not available from ProQuest Dissertations & Theses.
520 $a While many have attested to resonance between the poetic worlds of German poet-novelist Novalis (1772-1801) and Fyodor Ivanovich Tyutchev (1803-1873), few have examined the nature of this affinity. This is likely because, in this case, the question of direct influence is a fraught one. In this paper I argue that the similarities between the two writers are the result of their mutual erudition and familiarity with German literature and philosophy. In particular, I investigate the role of unity in their works. The concept of unity, I argue, is the common link between them. It is both the oft-cited overarching principle of Novalis's writings and the defining organizational principle of Tyutchev's night poetry. I explore the philosophical stakes of this by drawing on the philosophy of Fichte, Novalis's philosophical writings and focalization theory. Unity in both Novalis and Tyutchev is the unity of the focalizing subject-poet with his object. In the spatial realm this results in the following: poet and landscape merge in mutual encompassing. The poetic subject in their works frequently navigates an internal space after experiencing the transition from light (day) to darkness (night), moving away from a standard landscape in order to traverse subjective terrain.
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773 0 $t Masters Abstracts International $g 53-03(E).
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