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Film in the anthropocene = philosoph...

White, Daniel.

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Film in the anthropocene = philosophy, ecology, and cybernetics /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Film in the anthropocene/ by Daniel White.
Reminder of title:	philosophy, ecology, and cybernetics /
Author:	White, Daniel.
Published:	Cham :Springer International Publishing : : 2018.,
Description:	xiv, 341 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Introduction: Stepping into the Play Frame--Cinema as Mammalian Communication -- 2. Janus's Celluloid and Digital Faces: The Existential Cyborg--Autopoiēsis in Christopher Nolan's Memento -- 3. Documentary Intertext: Robert Gardner's Dead Birds 1964 -- 4. Cinema's Historical Incarnations: Traveling the Mobius Strip of Biotime in Cloud Atlas -- 5. Documentary Intertext: John Marshall, The Hunters 1957 -- 6. Janus East and West: Multicultural Polyvocality--Trinh Minh-ha's The Fourth Dimension and The Digital Film -- 7. Documentary Intertext: Trance and Dance in Bali 1951 -- 8. Janus's Interspecies Faces: Biomorphic Transformations in the Ecology of Mind in James Cameron's Avatar -- 9. Documentary Intertext: Andre Singer's and J. Stephen Lansing's The Goddess and the Computer 1988 -- 10. Conclusion: Toward a Transdisciplinary Critical Theory of Film.
Contained By:	Springer eBooks
Subject:	Motion pictures - Philosophy. -
Online resource:	http://dx.doi.org/10.1007/978-3-319-93015-2
ISBN:	9783319930152

Film in the anthropocene = philosophy, ecology, and cybernetics /
White, Daniel.

Film in the anthropocenephilosophy, ecology, and cybernetics /[electronic resource] :by Daniel White. - Cham :Springer International Publishing :2018. - xiv, 341 p. :ill., digital ;24 cm.

1. Introduction: Stepping into the Play Frame--Cinema as Mammalian Communication -- 2. Janus's Celluloid and Digital Faces: The Existential Cyborg--Autopoiēsis in Christopher Nolan's Memento -- 3. Documentary Intertext: Robert Gardner's Dead Birds 1964 -- 4. Cinema's Historical Incarnations: Traveling the Mobius Strip of Biotime in Cloud Atlas -- 5. Documentary Intertext: John Marshall, The Hunters 1957 -- 6. Janus East and West: Multicultural Polyvocality--Trinh Minh-ha's The Fourth Dimension and The Digital Film -- 7. Documentary Intertext: Trance and Dance in Bali 1951 -- 8. Janus's Interspecies Faces: Biomorphic Transformations in the Ecology of Mind in James Cameron's Avatar -- 9. Documentary Intertext: Andre Singer's and J. Stephen Lansing's The Goddess and the Computer 1988 -- 10. Conclusion: Toward a Transdisciplinary Critical Theory of Film.

This book provides an interdisciplinary analysis of film in the context of the Anthropocene: the new geological era in which human beings have collectively become a force of nature. Daniel White draws on perspectives in philosophy, ecology, and cybernetics (the science of communication and control in animals and machines) to explore human self-understanding through film in the new era. The classical figure of Janus, looking both to the future and the past, serves as a guide throughout the study. Both feature and documentary films are considered.

ISBN: 9783319930152

Standard No.: 10.1007/978-3-319-93015-2doiSubjects--Topical Terms:

550295
Motion pictures
--Philosophy.

LC Class. No.: PN1995.9.P42 / W458 2018

Dewey Class. No.: 791.43684

Film in the anthropocene = philosophy, ecology, and cybernetics /
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505 0 $a 1. Introduction: Stepping into the Play Frame--Cinema as Mammalian Communication -- 2. Janus's Celluloid and Digital Faces: The Existential Cyborg--Autopoiēsis in Christopher Nolan's Memento -- 3. Documentary Intertext: Robert Gardner's Dead Birds 1964 -- 4. Cinema's Historical Incarnations: Traveling the Mobius Strip of Biotime in Cloud Atlas -- 5. Documentary Intertext: John Marshall, The Hunters 1957 -- 6. Janus East and West: Multicultural Polyvocality--Trinh Minh-ha's The Fourth Dimension and The Digital Film -- 7. Documentary Intertext: Trance and Dance in Bali 1951 -- 8. Janus's Interspecies Faces: Biomorphic Transformations in the Ecology of Mind in James Cameron's Avatar -- 9. Documentary Intertext: Andre Singer's and J. Stephen Lansing's The Goddess and the Computer 1988 -- 10. Conclusion: Toward a Transdisciplinary Critical Theory of Film.
520 $a This book provides an interdisciplinary analysis of film in the context of the Anthropocene: the new geological era in which human beings have collectively become a force of nature. Daniel White draws on perspectives in philosophy, ecology, and cybernetics (the science of communication and control in animals and machines) to explore human self-understanding through film in the new era. The classical figure of Janus, looking both to the future and the past, serves as a guide throughout the study. Both feature and documentary films are considered.
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