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"So to Speak": Dialectic and dialogi...

Ge, Liangyan.

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"So to Speak": Dialectic and dialogism in the "Shuihu zhuan".

Record Type:	Electronic resources : Monograph/item
Title/Author:	"So to Speak": Dialectic and dialogism in the "Shuihu zhuan"./
Author:	Ge, Liangyan.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 1995,
Description:	298 p.
Notes:	Source: Dissertation Abstracts International, Volume: 56-07, Section: A, page: 2689.
Contained By:	Dissertation Abstracts International56-07A.
Subject:	Asian literature. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9539997

"So to Speak": Dialectic and dialogism in the "Shuihu zhuan".
Ge, Liangyan.

"So to Speak": Dialectic and dialogism in the "Shuihu zhuan". - Ann Arbor : ProQuest Dissertations & Theses, 1995 - 298 p.

Source: Dissertation Abstracts International, Volume: 56-07, Section: A, page: 2689.

Thesis (Ph.D.)--Indiana University, 1995.

The Shuihu zhuan, China's earliest full-length narrative in the "true" vernacular, has been either disparaged for its ties to the oral tradition or praised by distancing it from popular orality and attributing it to the "sophisticated" literati culture. This dissertation argues against the either/or binary logic behind this bifurcation of critical views. Applying modern theories on oral and folkloric discourse, the study discusses many features of the narrative in terms of oral storymaking and of the dynamic interaction between the raconteur and the audience in the original storytelling scene. On the basis of such analyses the study maintains the oral provenance of the narrative. However, with the particular social and intellectual conditions in medieval China, especially with the intellectual bend of the "School of Mind" upholding the natural state of human nature, popular orality happened to be in a close alliance with the forces for change within literary circles. The interaction and interpenetration of forces of orality and forces from the literary tradition were facilitated by the social mobility, especially that in conjunction with the civil service examinations. The Shuihu zhuan was "rediscovered" by the frustrated men of letters as a social protest as well as a literary innovation. After a long and gradual process of orality-writing dynamic, the Shuihu zhuan was textualized. The new model of narration in the vernacular work, which features the storyteller and the characters as "speaking persons," steered Chinese narrative literature into the new orbit of "linguistic empathy," emulating voices in different social dialects.Subjects--Topical Terms:

2122707
Asian literature.

"So to Speak": Dialectic and dialogism in the "Shuihu zhuan".
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520 $a The Shuihu zhuan, China's earliest full-length narrative in the "true" vernacular, has been either disparaged for its ties to the oral tradition or praised by distancing it from popular orality and attributing it to the "sophisticated" literati culture. This dissertation argues against the either/or binary logic behind this bifurcation of critical views. Applying modern theories on oral and folkloric discourse, the study discusses many features of the narrative in terms of oral storymaking and of the dynamic interaction between the raconteur and the audience in the original storytelling scene. On the basis of such analyses the study maintains the oral provenance of the narrative. However, with the particular social and intellectual conditions in medieval China, especially with the intellectual bend of the "School of Mind" upholding the natural state of human nature, popular orality happened to be in a close alliance with the forces for change within literary circles. The interaction and interpenetration of forces of orality and forces from the literary tradition were facilitated by the social mobility, especially that in conjunction with the civil service examinations. The Shuihu zhuan was "rediscovered" by the frustrated men of letters as a social protest as well as a literary innovation. After a long and gradual process of orality-writing dynamic, the Shuihu zhuan was textualized. The new model of narration in the vernacular work, which features the storyteller and the characters as "speaking persons," steered Chinese narrative literature into the new orbit of "linguistic empathy," emulating voices in different social dialects.
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