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Death of Utopia: The Necessity of Cr...

Kryzak, Stephanie.

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Death of Utopia: The Necessity of Critical Curatorial Process and Alternative Exhibition Forms.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Death of Utopia: The Necessity of Critical Curatorial Process and Alternative Exhibition Forms./
Author:	Kryzak, Stephanie.
Description:	53 p.
Notes:	Source: Masters Abstracts International, Volume: 54-05.
Contained By:	Masters Abstracts International54-05(E).
Subject:	Art criticism. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1589901
ISBN:	9781321784084

Death of Utopia: The Necessity of Critical Curatorial Process and Alternative Exhibition Forms.
Kryzak, Stephanie.

Death of Utopia: The Necessity of Critical Curatorial Process and Alternative Exhibition Forms. - 53 p.

Source: Masters Abstracts International, Volume: 54-05.

Thesis (M.A.)--Sotheby's Institute of Art - New York, 2015.

This thesis will discuss at length four key examples of modern and contemporary group exhibitions focusing on conceptual and visual representations of utopia and dystopia: This is Tomorrow at Whitechapel Gallery in 1956, The Spirit of Utopia at Whitechapel Gallery in 2013, After Nature at the New Museum in 2008, culminating at this year's L'Etat du Ciel series of exhibitions at the Palais de Tokyo. I plan to use these in order to call attention to the evolution of utopia as a literal idealized future to instead critical processes and gestures highlighting the current ills within our economic and social frameworks, and proposing changes for these within contemporary art in a coherent and contemplative exhibition format.

ISBN: 9781321784084Subjects--Topical Terms:

526357
Art criticism.

Death of Utopia: The Necessity of Critical Curatorial Process and Alternative Exhibition Forms.
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020 $a 9781321784084
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100 1 $a Kryzak, Stephanie. $3 3277783
245 1 0 $a Death of Utopia: The Necessity of Critical Curatorial Process and Alternative Exhibition Forms.
300 $a 53 p.
500 $a Source: Masters Abstracts International, Volume: 54-05.
500 $a Adviser: Victoria Miguel.
502 $a Thesis (M.A.)--Sotheby's Institute of Art - New York, 2015.
520 $a This thesis will discuss at length four key examples of modern and contemporary group exhibitions focusing on conceptual and visual representations of utopia and dystopia: This is Tomorrow at Whitechapel Gallery in 1956, The Spirit of Utopia at Whitechapel Gallery in 2013, After Nature at the New Museum in 2008, culminating at this year's L'Etat du Ciel series of exhibitions at the Palais de Tokyo. I plan to use these in order to call attention to the evolution of utopia as a literal idealized future to instead critical processes and gestures highlighting the current ills within our economic and social frameworks, and proposing changes for these within contemporary art in a coherent and contemplative exhibition format.
590 $a School code: 1588.
650 4 $a Art criticism. $3 526357
650 4 $a Art history. $3 2122701
690 $a 0365
690 $a 0377
710 2 $a Sotheby's Institute of Art - New York. $b Contemporary Art. $3 2093307
773 0 $t Masters Abstracts International $g 54-05(E).
790 $a 1588
791 $a M.A.
792 $a 2015
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1589901