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Exhibiting scenographic identities a...

Walling, Carl H.

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Exhibiting scenographic identities at the 2007 & 2011 Prague Quadrennials.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Exhibiting scenographic identities at the 2007 & 2011 Prague Quadrennials./
Author:	Walling, Carl H.
Description:	161 p.
Notes:	Source: Dissertation Abstracts International, Volume: 76-08(E), Section: A.
Contained By:	Dissertation Abstracts International76-08A(E).
Subject:	Design. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3687127
ISBN:	9781321644135

Exhibiting scenographic identities at the 2007 & 2011 Prague Quadrennials.
Walling, Carl H.

Exhibiting scenographic identities at the 2007 & 2011 Prague Quadrennials. - 161 p.

Source: Dissertation Abstracts International, Volume: 76-08(E), Section: A.

Thesis (Ph.D.)--Bowling Green State University, 2015.

Theatrical design is difficult to exhibit as Art. During the course of the twentieth-century, prominent theatre designers have sought ways to share their revolutionary ideas and remarkable work with an outside audience. In this dissertation, I examine the boundaries, struggles and methodologies found within contemporary design exhibition at the Prague Quadrennial. More specifically, I explore a philosophical shift taking place between the 2007 and 2011 Prague Quadrennials, as the event's artistic leadership repositions the scenographic underpinnings toward a more inclusive theory of performance design. This resultant shift occurs due to several trends throughout the Prague Quadrennial's history including: decentralization, the inclusion of performance and the contextualization of scenographic artifacts. I examine the significant impact of this philosophical shift on the event's curatorial visions, audience interactions and connections with the city of Prague.

ISBN: 9781321644135Subjects--Topical Terms:

518875
Design.

Exhibiting scenographic identities at the 2007 & 2011 Prague Quadrennials.
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245 1 0 $a Exhibiting scenographic identities at the 2007 & 2011 Prague Quadrennials.
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500 $a Source: Dissertation Abstracts International, Volume: 76-08(E), Section: A.
500 $a Adviser: Michael Ellison.
502 $a Thesis (Ph.D.)--Bowling Green State University, 2015.
520 $a Theatrical design is difficult to exhibit as Art. During the course of the twentieth-century, prominent theatre designers have sought ways to share their revolutionary ideas and remarkable work with an outside audience. In this dissertation, I examine the boundaries, struggles and methodologies found within contemporary design exhibition at the Prague Quadrennial. More specifically, I explore a philosophical shift taking place between the 2007 and 2011 Prague Quadrennials, as the event's artistic leadership repositions the scenographic underpinnings toward a more inclusive theory of performance design. This resultant shift occurs due to several trends throughout the Prague Quadrennial's history including: decentralization, the inclusion of performance and the contextualization of scenographic artifacts. I examine the significant impact of this philosophical shift on the event's curatorial visions, audience interactions and connections with the city of Prague.
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650 4 $a Theater. $3 522973
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650 4 $a Theater history. $3 2144911
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856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3687127