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Church's Musical Visitor, 1871--1897...

Stemmermann, Nell.

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Church's Musical Visitor, 1871--1897: Class, Nationalism, and Musical Taste.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Church's Musical Visitor, 1871--1897: Class, Nationalism, and Musical Taste./
作者:	Stemmermann, Nell.
面頁冊數:	430 p.
附註:	Source: Dissertation Abstracts International, Volume: 76-02(E), Section: A.
Contained By:	Dissertation Abstracts International76-02A(E).
標題:	Music. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3641355
ISBN:	9781321275032

Church's Musical Visitor, 1871--1897: Class, Nationalism, and Musical Taste.
Stemmermann, Nell.

Church's Musical Visitor, 1871--1897: Class, Nationalism, and Musical Taste. - 430 p.

Source: Dissertation Abstracts International, Volume: 76-02(E), Section: A.

Thesis (Ph.D.)--University of Cincinnati, 2014.

This item must not be sold to any third party vendors.

The John Church Company in Cincinnati published Church's Musical Visitor from October 1871 to December 1897. From February 1883 it was known as The Musical Visitor. The monthly journal printed music by contemporary American and European composers as well as earlier works. The editors, Frank H. King, Charles A. Daniell, Frank N. Scott, and James R. Murray, commented on composers, music, and issues of the day in both Europe and the United States. The Visitor reprinted and commented on articles of interesft from other journals and newspapers, such as the London Musical Times, Chicago Inter-Ocean, Appleton's Journal, and Scribner's..

ISBN: 9781321275032Subjects--Topical Terms:

516178
Music.

Church's Musical Visitor, 1871--1897: Class, Nationalism, and Musical Taste.
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245 1 0 $a Church's Musical Visitor, 1871--1897: Class, Nationalism, and Musical Taste.
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500 $a Source: Dissertation Abstracts International, Volume: 76-02(E), Section: A.
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502 $a Thesis (Ph.D.)--University of Cincinnati, 2014.
506 $a This item must not be sold to any third party vendors.
520 $a The John Church Company in Cincinnati published Church's Musical Visitor from October 1871 to December 1897. From February 1883 it was known as The Musical Visitor. The monthly journal printed music by contemporary American and European composers as well as earlier works. The editors, Frank H. King, Charles A. Daniell, Frank N. Scott, and James R. Murray, commented on composers, music, and issues of the day in both Europe and the United States. The Visitor reprinted and commented on articles of interesft from other journals and newspapers, such as the London Musical Times, Chicago Inter-Ocean, Appleton's Journal, and Scribner's..
520 $a The Visitor is an important source of information about musical life and attitudes in post-bellum America, but it has been underutilized as a source of information about musical life and culture during this time. It overlapped Dwight's Journal of Music (1852-1881) by ten years and The Etude(1883-1957) by fourteen years. Unlike Dwight's Journal, which promoted the music of such Europeans as Bach, Beethoven, Handel, Haydn, Mendelssohn, and Rossini, the Visitor promoted the music of both Americans and Europeans. Whereas The Etude focused on piano technique and music for the piano, the Visitor provided vocal and instrumental music for the family, and music for church services from January 1886 until September 1895. It has been underutilized as a source of information about musical life and culture during this time. This study provides an examination of attitudes toward class, nationalism, and musical taste in the Visitor during the last quarter of the nineteenth century. The Visitor was a sounding board for people from various parts of the country and abroad. Appendices include a chronological listing of music printed in the Visitor and an alphabetical list of composers with their dates and the number of their vocal or instrumental works appearing in the journal.
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