東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back to Search results for [ null ]

Switch To: Labeled | MARC Mode | ISBD

Death and Violence in the Headlines:...

Kastanek, Tasia.

Linked to FindBook

Google Book

Amazon

博客來

Death and Violence in the Headlines: Andy Warhol's Reconstructions of Mass Media.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Death and Violence in the Headlines: Andy Warhol's Reconstructions of Mass Media./
Author:	Kastanek, Tasia.
Description:	113 p.
Notes:	Source: Masters Abstracts International, Volume: 53-01.
Contained By:	Masters Abstracts International53-01(E).
Subject:	Art History. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1557319
ISBN:	9781303946004

Death and Violence in the Headlines: Andy Warhol's Reconstructions of Mass Media.
Kastanek, Tasia.

Death and Violence in the Headlines: Andy Warhol's Reconstructions of Mass Media. - 113 p.

Source: Masters Abstracts International, Volume: 53-01.

Thesis (M.A.)--Tulane University, 2014.

This item must not be sold to any third party vendors.

For his series on death and disasters, Andy Warhol appropriated not only subject matter but many of the aesthetic and conceptual devices of mass media. In Flash - November 22, 1963, the car crashes and race riots, Warhol emphasized the status of images as commodified spectacles. A portfolio focused on the assassination of JFK, Flash undermines political personas and the authority of news accounts of the assassination by enforcing the instability of narrative and icon. Mining the grotesque imagery of news photos, Warhol's paintings of car crashes juxtapose anonymous victims with decorative devices to ironically highlight consumption of public death. This becomes particularly apparent in the mirroring of spectatorship in the passerby of White Burning Car III. Similarly constructed, the race riots, based on photographs of Civil Rights demonstrations in Birmingham, use color, repetition and contrast to undermine viewer identification and political content.

ISBN: 9781303946004Subjects--Topical Terms:

635474
Art History.

Death and Violence in the Headlines: Andy Warhol's Reconstructions of Mass Media.
LDR:01880nmm a2200289 4500 001 2058012
005 20150702081901.5
008 170521s2014 ||||||||||||||||| ||eng d
020 $a 9781303946004
035 $a (MiAaPQ)AAI1557319
035 $a AAI1557319
040 $a MiAaPQ $c MiAaPQ
100 1 $a Kastanek, Tasia. $3 3171914
245 1 0 $a Death and Violence in the Headlines: Andy Warhol's Reconstructions of Mass Media.
300 $a 113 p.
500 $a Source: Masters Abstracts International, Volume: 53-01.
500 $a Adviser: Michael Plante.
502 $a Thesis (M.A.)--Tulane University, 2014.
506 $a This item must not be sold to any third party vendors.
520 $a For his series on death and disasters, Andy Warhol appropriated not only subject matter but many of the aesthetic and conceptual devices of mass media. In Flash - November 22, 1963, the car crashes and race riots, Warhol emphasized the status of images as commodified spectacles. A portfolio focused on the assassination of JFK, Flash undermines political personas and the authority of news accounts of the assassination by enforcing the instability of narrative and icon. Mining the grotesque imagery of news photos, Warhol's paintings of car crashes juxtapose anonymous victims with decorative devices to ironically highlight consumption of public death. This becomes particularly apparent in the mirroring of spectatorship in the passerby of White Burning Car III. Similarly constructed, the race riots, based on photographs of Civil Rights demonstrations in Birmingham, use color, repetition and contrast to undermine viewer identification and political content.
590 $a School code: 0235.
650 4 $a Art History. $3 635474
650 4 $a Art Criticism. $3 637082
690 $a 0377
690 $a 0365
710 2 $a Tulane University. $b Art History. $3 3171915
773 0 $t Masters Abstracts International $g 53-01(E).
790 $a 0235
791 $a M.A.
792 $a 2014
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1557319