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Disrupting the visual experience: Re...

Taylor, Jennifer A.

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Disrupting the visual experience: Regendering perspective and form in Albrecht Durer's bath scenes.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Disrupting the visual experience: Regendering perspective and form in Albrecht Durer's bath scenes./
Author:	Taylor, Jennifer A.
Description:	108 p.
Notes:	Source: Masters Abstracts International, Volume: 53-01.
Contained By:	Masters Abstracts International53-01(E).
Subject:	Art History. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1556892
ISBN:	9781303933035

Disrupting the visual experience: Regendering perspective and form in Albrecht Durer's bath scenes.
Taylor, Jennifer A.

Disrupting the visual experience: Regendering perspective and form in Albrecht Durer's bath scenes. - 108 p.

Source: Masters Abstracts International, Volume: 53-01.

Thesis (M.H.)--University of Colorado at Denver, 2014.

This item must not be sold to any third party vendors.

In any work of art, the purpose is to create a space in which the viewer engages. In essence, the artist is creating a place. Space and place are interconnected when talking about linear perspective and form. First the artist must create a space and then populate it with forms that interact in that illusory place. This paper takes these two terms, linear perspective and form, and explains how they are used to intentionally construct perceptions of gender and call attention to the masculinity of visual experience in Western cultural tradition---specifically those artistic traditions used by Northern Renaissance artist Albrecht Durer. Certain visual elements, most notably linear perspective and form, utilized by Durer nourish the viewer's perception, purposefully, in order to guide our understanding of the gendered narratives which he is trying to convey. This idea become more apparent when analyzing Durer's two secular bath scenes: Das Mannerbad (Men's Bath) and The Women's Bath---showing how vision (looking and seeing) work to create a gendered space in which an assuming audiences participates, with the attempt to complicate the subject/object relationship. I argue that Durer intentionally problematizes the viewer/viewed relationship and utilizes perspective, form, and sight to highlight the problems of looking and being looked at, thereby establishing a gender discourse of his work.

ISBN: 9781303933035Subjects--Topical Terms:

635474
Art History.

Disrupting the visual experience: Regendering perspective and form in Albrecht Durer's bath scenes.
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020 $a 9781303933035
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245 1 0 $a Disrupting the visual experience: Regendering perspective and form in Albrecht Durer's bath scenes.
300 $a 108 p.
500 $a Source: Masters Abstracts International, Volume: 53-01.
500 $a Adviser: Margaret Woodhull.
502 $a Thesis (M.H.)--University of Colorado at Denver, 2014.
506 $a This item must not be sold to any third party vendors.
506 $a This item must not be added to any third party search indexes.
520 $a In any work of art, the purpose is to create a space in which the viewer engages. In essence, the artist is creating a place. Space and place are interconnected when talking about linear perspective and form. First the artist must create a space and then populate it with forms that interact in that illusory place. This paper takes these two terms, linear perspective and form, and explains how they are used to intentionally construct perceptions of gender and call attention to the masculinity of visual experience in Western cultural tradition---specifically those artistic traditions used by Northern Renaissance artist Albrecht Durer. Certain visual elements, most notably linear perspective and form, utilized by Durer nourish the viewer's perception, purposefully, in order to guide our understanding of the gendered narratives which he is trying to convey. This idea become more apparent when analyzing Durer's two secular bath scenes: Das Mannerbad (Men's Bath) and The Women's Bath---showing how vision (looking and seeing) work to create a gendered space in which an assuming audiences participates, with the attempt to complicate the subject/object relationship. I argue that Durer intentionally problematizes the viewer/viewed relationship and utilizes perspective, form, and sight to highlight the problems of looking and being looked at, thereby establishing a gender discourse of his work.
590 $a School code: 0765.
650 4 $a Art History. $3 635474
650 4 $a Art Criticism. $3 637082
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710 2 $a University of Colorado at Denver. $b Humanities. $3 2092432
773 0 $t Masters Abstracts International $g 53-01(E).
790 $a 0765
791 $a M.H.
792 $a 2014
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856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1556892