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"Can you feel it, too?": Intimacy an...
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Garcia, Luis-Manuel.
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"Can you feel it, too?": Intimacy and affect at electronic dance music events in Paris, Chicago, and Berlin.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
"Can you feel it, too?": Intimacy and affect at electronic dance music events in Paris, Chicago, and Berlin./
作者:
Garcia, Luis-Manuel.
面頁冊數:
387 p.
附註:
Source: Dissertation Abstracts International, Volume: 72-12, Section: A, page: 4368.
Contained By:
Dissertation Abstracts International72-12A.
標題:
Music. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3472850
ISBN:
9781124868004
"Can you feel it, too?": Intimacy and affect at electronic dance music events in Paris, Chicago, and Berlin.
Garcia, Luis-Manuel.
"Can you feel it, too?": Intimacy and affect at electronic dance music events in Paris, Chicago, and Berlin.
- 387 p.
Source: Dissertation Abstracts International, Volume: 72-12, Section: A, page: 4368.
Thesis (Ph.D.)--The University of Chicago, 2011.
This item must not be sold to any third party vendors.
This thesis project is a multi-sited ethnographic study of music, intimacy, and crowds at "techno" and "house" nightclubs in three cities: Berlin, Paris, and Chicago. It focuses on how music, bodies, and space play a role in engendering a sense of intimacy between strangers on the dancefloor. Working from interviews, sound recordings, and participant observation, it argues that this sense of intimacy emerges out of the shared experience of heightened affect, and that music plays a vital role in shaping this collective experience. The music-analytic engagement with house and techno "tracks" is informed by the aesthetic conventions of Electronic Dance Music, focusing primarily on multi-measure rhythmic patterning, timbre, layered texture, modular structures, and the allusiveness of sampling. In the process, the project intervenes in several theoretical streams; for example, it brings together scholarship on intimacy and on crowds to develop a new concept of group togetherness (i.e., "liquidarity"). It also engages with anthropology, affect theory, philosophy, psychology, and psychoanalysis to trace a line from listening/dancing, through intensified forms of experience, to an expansive sense of belonging.
ISBN: 9781124868004Subjects--Topical Terms:
516178
Music.
"Can you feel it, too?": Intimacy and affect at electronic dance music events in Paris, Chicago, and Berlin.
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This thesis project is a multi-sited ethnographic study of music, intimacy, and crowds at "techno" and "house" nightclubs in three cities: Berlin, Paris, and Chicago. It focuses on how music, bodies, and space play a role in engendering a sense of intimacy between strangers on the dancefloor. Working from interviews, sound recordings, and participant observation, it argues that this sense of intimacy emerges out of the shared experience of heightened affect, and that music plays a vital role in shaping this collective experience. The music-analytic engagement with house and techno "tracks" is informed by the aesthetic conventions of Electronic Dance Music, focusing primarily on multi-measure rhythmic patterning, timbre, layered texture, modular structures, and the allusiveness of sampling. In the process, the project intervenes in several theoretical streams; for example, it brings together scholarship on intimacy and on crowds to develop a new concept of group togetherness (i.e., "liquidarity"). It also engages with anthropology, affect theory, philosophy, psychology, and psychoanalysis to trace a line from listening/dancing, through intensified forms of experience, to an expansive sense of belonging.
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