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An analysis of concert saxophone vib...

Zinninger, Thomas.

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An analysis of concert saxophone vibrato through the examination of recordings by eight prominent soloists.

Record Type:	Electronic resources : Monograph/item
Title/Author:	An analysis of concert saxophone vibrato through the examination of recordings by eight prominent soloists./
Author:	Zinninger, Thomas.
Description:	162 p.
Notes:	Source: Dissertation Abstracts International, Volume: 75-06(E), Section: A.
Contained By:	Dissertation Abstracts International75-06A(E).
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3612868
ISBN:	9781303747892

An analysis of concert saxophone vibrato through the examination of recordings by eight prominent soloists.
Zinninger, Thomas.

An analysis of concert saxophone vibrato through the examination of recordings by eight prominent soloists. - 162 p.

Source: Dissertation Abstracts International, Volume: 75-06(E), Section: A.

Thesis (D.M.A.)--University of Cincinnati, 2013.

This study examines concert saxophone vibrato through the analysis of several recordings of standard repertoire by prominent soloists. The vibrato of Vincent Abato, Arno Bornkamp, Claude Delangle, Jean-Marie Londeix, Marcel Mule, Otis Murphy, Sigurd Rascher, and Eugene Rousseau is analyzed with regards to rate, extent, shape, and discretionary use. Examination of these parameters was conducted through both general observation and precise measurements with the aid of a spectrogram. Statistical analyses of the results provide tendencies for overall vibrato use, as well as the effects of certain musical attributes (note length, tempo, dynamic, range) on vibrato. The results of this analysis are also compared among each soloist and against pre-existing theories or findings in vibrato research.

ISBN: 9781303747892Subjects--Topical Terms:

516178
Music.

An analysis of concert saxophone vibrato through the examination of recordings by eight prominent soloists.
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100 1 $a Zinninger, Thomas. $3 3169254
245 1 3 $a An analysis of concert saxophone vibrato through the examination of recordings by eight prominent soloists.
300 $a 162 p.
500 $a Source: Dissertation Abstracts International, Volume: 75-06(E), Section: A.
500 $a Adviser: James Bunte.
502 $a Thesis (D.M.A.)--University of Cincinnati, 2013.
520 $a This study examines concert saxophone vibrato through the analysis of several recordings of standard repertoire by prominent soloists. The vibrato of Vincent Abato, Arno Bornkamp, Claude Delangle, Jean-Marie Londeix, Marcel Mule, Otis Murphy, Sigurd Rascher, and Eugene Rousseau is analyzed with regards to rate, extent, shape, and discretionary use. Examination of these parameters was conducted through both general observation and precise measurements with the aid of a spectrogram. Statistical analyses of the results provide tendencies for overall vibrato use, as well as the effects of certain musical attributes (note length, tempo, dynamic, range) on vibrato. The results of this analysis are also compared among each soloist and against pre-existing theories or findings in vibrato research.
590 $a School code: 0045.
650 4 $a Music. $3 516178
650 4 $a Physics, Acoustics. $3 1019086
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690 $a 0986
710 2 $a University of Cincinnati. $b Saxophone. $3 3169255
773 0 $t Dissertation Abstracts International $g 75-06A(E).
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856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3612868