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The passion imperative: Marriage and...

Negro, Jill Lesley.

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The passion imperative: Marriage and self in Edith Wharton's Summer, The House of Mirth, and The Age of Innocence.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	The passion imperative: Marriage and self in Edith Wharton's Summer, The House of Mirth, and The Age of Innocence./
Author:	Negro, Jill Lesley.
Description:	97 p.
Notes:	Source: Masters Abstracts International, Volume: 51-06.
Contained By:	Masters Abstracts International51-06(E).
Subject:	Literature, African. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1522716
ISBN:	9781303060595

The passion imperative: Marriage and self in Edith Wharton's Summer, The House of Mirth, and The Age of Innocence.
Negro, Jill Lesley.

The passion imperative: Marriage and self in Edith Wharton's Summer, The House of Mirth, and The Age of Innocence. - 97 p.

Source: Masters Abstracts International, Volume: 51-06.

Thesis (M.A.)--Southern Connecticut State University, 2013.

One prevalent theme within Edith Wharton's work is discontent in marriage. Conversely, passion appears within her novels, but only outside of marriage, and often within the context of intellectual and artistic pursuits. There are two forms of love present: comfortable, familial love and passion external to it. This study presents psychoanalytic and socio-historical aspects that make passion and marriage mutually exclusive concepts as presented in Wharton's work, and argues how Wharton's female characters do not have a choice in if, or even whom, they marry. In doing so, it explores the portrayal of marriage within three of Wharton's major novels, The House of Mirth , Summer, and The Age of Innocence, as well as how two of her short stories, "The Fullness of Life" and "Souls Belated," further inform readers on the nature of passionless marriage and the struggle to maintain a sense of self.

ISBN: 9781303060595Subjects--Topical Terms:

1022872
Literature, African.

The passion imperative: Marriage and self in Edith Wharton's Summer, The House of Mirth, and The Age of Innocence.
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020 $a 9781303060595
035 $a (MiAaPQ)AAI1522716
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100 1 $a Negro, Jill Lesley. $3 2103592
245 1 4 $a The passion imperative: Marriage and self in Edith Wharton's Summer, The House of Mirth, and The Age of Innocence.
300 $a 97 p.
500 $a Source: Masters Abstracts International, Volume: 51-06.
500 $a Adviser: Paul Petrie.
502 $a Thesis (M.A.)--Southern Connecticut State University, 2013.
520 $a One prevalent theme within Edith Wharton's work is discontent in marriage. Conversely, passion appears within her novels, but only outside of marriage, and often within the context of intellectual and artistic pursuits. There are two forms of love present: comfortable, familial love and passion external to it. This study presents psychoanalytic and socio-historical aspects that make passion and marriage mutually exclusive concepts as presented in Wharton's work, and argues how Wharton's female characters do not have a choice in if, or even whom, they marry. In doing so, it explores the portrayal of marriage within three of Wharton's major novels, The House of Mirth , Summer, and The Age of Innocence, as well as how two of her short stories, "The Fullness of Life" and "Souls Belated," further inform readers on the nature of passionless marriage and the struggle to maintain a sense of self.
590 $a School code: 0928.
650 4 $a Literature, African. $3 1022872
650 4 $a Literature, English. $3 1017709
650 4 $a Literature, General. $3 1018152
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690 $a 0593
690 $a 0401
710 2 $a Southern Connecticut State University. $b English. $3 2094492
773 0 $t Masters Abstracts International $g 51-06(E).
790 $a 0928
791 $a M.A.
792 $a 2013
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1522716