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Japan and the cosmopolitan gothic = ...

Blouin, Michael J.

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Japan and the cosmopolitan gothic = specters of modernity /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Japan and the cosmopolitan gothic/ by Michael J. Blouin.
Reminder of title:	specters of modernity /
Author:	Blouin, Michael J.
Published:	New York :Palgrave Macmillan, : 2013.,
Description:	1 online resource.
[NT 15003449]:	Machine generated contents note: -- Introduction: The Specters of a Wandering Mind -- 1. Ghosts and Spirits in Early Japanology -- 2. Ghostly Maidens in Sidney McCall's Fiction -- 3. Japonisme and the Female Gothic -- 4. Nuclear Criticism and a Deferred Reading of the Toho Terror -- 5. Japan Inc. and the American Nightmare -- 6. Atemporality and Communal Ethics in the Films of Shimizu Takashi -- 7. Difference and Doubt in Christopher Nolan's Inception -- Conclusion: Haunted Echo Chambers.
Subject:	American literature - Japanese influences. -
Subject:	Japan -
Online resource:	http://www.palgraveconnect.com/doifinder/10.1057/9781137305220
ISBN:	9781137305220 (electronic bk.)

Japan and the cosmopolitan gothic = specters of modernity /
Blouin, Michael J.

Japan and the cosmopolitan gothicspecters of modernity /[electronic resource] :by Michael J. Blouin. - New York :Palgrave Macmillan,2013. - 1 online resource.

Machine generated contents note: -- Introduction: The Specters of a Wandering Mind -- 1. Ghosts and Spirits in Early Japanology -- 2. Ghostly Maidens in Sidney McCall's Fiction -- 3. Japonisme and the Female Gothic -- 4. Nuclear Criticism and a Deferred Reading of the Toho Terror -- 5. Japan Inc. and the American Nightmare -- 6. Atemporality and Communal Ethics in the Films of Shimizu Takashi -- 7. Difference and Doubt in Christopher Nolan's Inception -- Conclusion: Haunted Echo Chambers.

In American discourse, Japan is routinely imagined as a supernatural entity. Gothic tales from these cultures are exchanged, adapted, and consumed. By analyzing this phenomenon, in texts ranging from those of Lafcadio Hearn to the films of Shimizu Takashi, Blouin explores the relationship between the two countries as well as the layers of complexity that accompany constructions of foreignness. Specifically, in response to the rise of a "Global Gothic," Blouin interprets these unsettling works to be evidence of a "cosmopolitan Gothic," one that refuses satisfactory enclosure and advocates a turn inward to re-invigorate dialogues upon the world stage.

ISBN: 9781137305220 (electronic bk.)

Source: 654935Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

724228
American literature
--Japanese influences.Subjects--Geographical Terms:

1100468
Japan
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PS159.J3 / B58 2013

Dewey Class. No.: 810/.9

Japan and the cosmopolitan gothic = specters of modernity /
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245 1 0 $a Japan and the cosmopolitan gothic $h [electronic resource] : $b specters of modernity / $c by Michael J. Blouin.
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300 $a 1 online resource.
505 8 $a Machine generated contents note: -- Introduction: The Specters of a Wandering Mind -- 1. Ghosts and Spirits in Early Japanology -- 2. Ghostly Maidens in Sidney McCall's Fiction -- 3. Japonisme and the Female Gothic -- 4. Nuclear Criticism and a Deferred Reading of the Toho Terror -- 5. Japan Inc. and the American Nightmare -- 6. Atemporality and Communal Ethics in the Films of Shimizu Takashi -- 7. Difference and Doubt in Christopher Nolan's Inception -- Conclusion: Haunted Echo Chambers.
520 $a In American discourse, Japan is routinely imagined as a supernatural entity. Gothic tales from these cultures are exchanged, adapted, and consumed. By analyzing this phenomenon, in texts ranging from those of Lafcadio Hearn to the films of Shimizu Takashi, Blouin explores the relationship between the two countries as well as the layers of complexity that accompany constructions of foreignness. Specifically, in response to the rise of a "Global Gothic," Blouin interprets these unsettling works to be evidence of a "cosmopolitan Gothic," one that refuses satisfactory enclosure and advocates a turn inward to re-invigorate dialogues upon the world stage.
520 $a "In American discourse, Japan is routinely imagined as a supernatural entity. Gothic tales from these cultures are exchanged, adapted, and consumed. By analyzing this phenomenon, in texts ranging from those of Lafcadio Hearn to the films of Shimizu Takashi, we can better comprehend the relationship between the two countries as well as the layers of complexity that accompany constructions of foreignness. Specifically, in response to the rise of a "Global Gothic," Blouin interprets these unsettling works to be evidence of a "cosmopolitan Gothic," one that refuses satisfactory enclosure and advocates a turn inward to re-invigorate dialogues upon the world stage"-- $c Provided by publisher.
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