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Popular Italian cinema

Bayman, Louis.

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Popular Italian cinema

Record Type:	Electronic resources : Monograph/item
Title/Author:	Popular Italian cinema/ edited by Louis Bayman, and Sergio Rigoletto.
other author:	Bayman, Louis.
Published:	New York, NY :Palgrave Macmillan, : 2013.,
Description:	1 online resource.
[NT 15003449]:	Sergio Rigoletto and Louis Bayman: The fair and the museum: framing the popular -- Christopher Wagstaff: Italian cinema, popular? -- Rosalind Galt: The prettiness of Italian cinema -- Richard Dyer: The pervasiveness of song in Italian cinema -- Louis Bayman: Melodrama as seriousness -- Tamao Nakahara: Moving masculinity: incest narratives in Italian sex comedies -- Sergio Rigoletto: Laughter in Lina Wertm�uller's The seduction of Mim�i -- Alex Marlow-Mann: Strategies of tension: towards a re-interpretation of Enzo G. Castellari's The big racket and the Italian crime film -- Irene Lottini: "Il delirio del lungo metraggio: cinema as mass phenomenon in early twentieth tentury Italian cinema -- Reka Buckley: Dressing the part: "made in Italy" goes to the movies with Lucia Bos�e in Chronicle of a love affair -- Daniel O'Brien: Hercules versus Hercules: variation and continuation in two generations of heroic masculinity -- Alan O'Leary: On the complexity of cinepanettone -- Francesca Piredda: Cinema and popular preaching: the Italian missionary film and fiamme -- Mark Goodall: The Italian mondo documentary film.
Subject:	Motion pictures - History - 20th century. - Italy -
Online resource:	http://www.palgraveconnect.com/doifinder/10.1057/9781137305657
ISBN:	9781137305657 (electronic bk.)

Popular Italian cinema
Popular Italian cinema[electronic resource] /edited by Louis Bayman, and Sergio Rigoletto. - New York, NY :Palgrave Macmillan,2013. - 1 online resource.

Includes bibliographical references.

Sergio Rigoletto and Louis Bayman: The fair and the museum: framing the popular -- Christopher Wagstaff: Italian cinema, popular? -- Rosalind Galt: The prettiness of Italian cinema -- Richard Dyer: The pervasiveness of song in Italian cinema -- Louis Bayman: Melodrama as seriousness -- Tamao Nakahara: Moving masculinity: incest narratives in Italian sex comedies -- Sergio Rigoletto: Laughter in Lina Wertm�uller's The seduction of Mim�i -- Alex Marlow-Mann: Strategies of tension: towards a re-interpretation of Enzo G. Castellari's The big racket and the Italian crime film -- Irene Lottini: "Il delirio del lungo metraggio: cinema as mass phenomenon in early twentieth tentury Italian cinema -- Reka Buckley: Dressing the part: "made in Italy" goes to the movies with Lucia Bos�e in Chronicle of a love affair -- Daniel O'Brien: Hercules versus Hercules: variation and continuation in two generations of heroic masculinity -- Alan O'Leary: On the complexity of cinepanettone -- Francesca Piredda: Cinema and popular preaching: the Italian missionary film and fiamme -- Mark Goodall: The Italian mondo documentary film.

From the origins of the silent feature film and the creation of the star system, Italy has been at the forefront of the development of cinema as a mass phenomenon. Popular Italian genre films were among the most internationally successful Italian films ever, inundating the cinemas of Latin America and the Middle East as well as serving as B-movies in theatres across the United Kingdom and America. Cinema played a central role in Italian life, promoting Italian fashion and music and forming a key concern politically. Yet Italian cinema, like that of other European countries, is best known academically as a source of films for the international arthouse circuit. This book seeks to reassess this imbalance by bringing together some of the most innovative and distinguished scholarship in the field for a comprehensive examination of how 'the popular' works in Italian cinema, from opera to the missionary film to sex comedies.

ISBN: 9781137305657 (electronic bk.)

Source: 507073Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

1246356
Motion pictures
--History--Italy--20th century.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1993.5.I88 / P635 2013

Dewey Class. No.: 791.430945

Popular Italian cinema
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505 0 $a Sergio Rigoletto and Louis Bayman: The fair and the museum: framing the popular -- Christopher Wagstaff: Italian cinema, popular? -- Rosalind Galt: The prettiness of Italian cinema -- Richard Dyer: The pervasiveness of song in Italian cinema -- Louis Bayman: Melodrama as seriousness -- Tamao Nakahara: Moving masculinity: incest narratives in Italian sex comedies -- Sergio Rigoletto: Laughter in Lina Wertm�uller's The seduction of Mim�i -- Alex Marlow-Mann: Strategies of tension: towards a re-interpretation of Enzo G. Castellari's The big racket and the Italian crime film -- Irene Lottini: "Il delirio del lungo metraggio: cinema as mass phenomenon in early twentieth tentury Italian cinema -- Reka Buckley: Dressing the part: "made in Italy" goes to the movies with Lucia Bos�e in Chronicle of a love affair -- Daniel O'Brien: Hercules versus Hercules: variation and continuation in two generations of heroic masculinity -- Alan O'Leary: On the complexity of cinepanettone -- Francesca Piredda: Cinema and popular preaching: the Italian missionary film and fiamme -- Mark Goodall: The Italian mondo documentary film.
520 $a From the origins of the silent feature film and the creation of the star system, Italy has been at the forefront of the development of cinema as a mass phenomenon. Popular Italian genre films were among the most internationally successful Italian films ever, inundating the cinemas of Latin America and the Middle East as well as serving as B-movies in theatres across the United Kingdom and America. Cinema played a central role in Italian life, promoting Italian fashion and music and forming a key concern politically. Yet Italian cinema, like that of other European countries, is best known academically as a source of films for the international arthouse circuit. This book seeks to reassess this imbalance by bringing together some of the most innovative and distinguished scholarship in the field for a comprehensive examination of how 'the popular' works in Italian cinema, from opera to the missionary film to sex comedies.
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