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Ford Madox Ford and the misfit moder...

Hawkes, Rob.

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Ford Madox Ford and the misfit moderns = Edwardian fiction and the first World War /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Ford Madox Ford and the misfit moderns/ Rob Hawkes.
Reminder of title:	Edwardian fiction and the first World War /
Author:	Hawkes, Rob.
Published:	Basingstoke :Palgrave Macmillan, : 2012.,
Description:	1 online resource.
[NT 15003449]:	Introduction: Misfit Moderns -- Personalities of Paper: Character, Justification, and Narrative Space -- Casting Back: Plotting, Impressionism, and Temporality -- Fictionality at the Front: Genre, Trust, and the War Memoir -- Destruction/Reconstruction: Narrative, Shell Shock, and the War Novel.
Subject:	Modernism (Literature) - Great Britain. -
Online resource:	http://www.palgraveconnect.com/doifinder/10.1057/9781137283436
ISBN:	9781137283436 (electronic bk.)

Ford Madox Ford and the misfit moderns = Edwardian fiction and the first World War /
Hawkes, Rob.

Ford Madox Ford and the misfit modernsEdwardian fiction and the first World War /[electronic resource] :Rob Hawkes. - Basingstoke :Palgrave Macmillan,2012. - 1 online resource.

Includes bibliographical references and index.

Introduction: Misfit Moderns -- Personalities of Paper: Character, Justification, and Narrative Space -- Casting Back: Plotting, Impressionism, and Temporality -- Fictionality at the Front: Genre, Trust, and the War Memoir -- Destruction/Reconstruction: Narrative, Shell Shock, and the War Novel.

Ford Madox Ford is a major figure of the modernist age, yet many of his works do not fulfil the expectations associated with the category of modernism. In "Ford Madox Ford and the Misfit Moderns", the author examines the ways in which Ford, alongside other 'misfit moderns' (Richard Aldington, Arnold Bennett, Joseph Conrad, Robert Graves, Siegfried Sassoon, H. G. Wells, and Rebecca West), destabilises the fundamental structures and forces that shape all narratives, from the processes of characterisation and plotting to the distinction between autobiography and fiction. In so doing, Ford exhibits a form of 'in-betweenness' that constitutes an exemplary responsiveness to the conditions of modernity whilst challenging many of our assumptions about early twentieth-century writing. Offering original readings of Ford's Edwardian fiction and First World War writing, this book poses wide-ranging questions about the nature of narrative and the distinction between modernism and modernity.

ISBN: 9781137283436 (electronic bk.)

Source: 510322Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

1976799
Ford, Ford Madox,
1873-1939--Criticism and interpretation.Subjects--Topical Terms:

537367
Modernism (Literature)
--Great Britain.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PR6011.O53 / H39 2012

Dewey Class. No.: 823/.912

Ford Madox Ford and the misfit moderns = Edwardian fiction and the first World War /
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504 $a Includes bibliographical references and index.
505 0 $a Introduction: Misfit Moderns -- Personalities of Paper: Character, Justification, and Narrative Space -- Casting Back: Plotting, Impressionism, and Temporality -- Fictionality at the Front: Genre, Trust, and the War Memoir -- Destruction/Reconstruction: Narrative, Shell Shock, and the War Novel.
520 $a Ford Madox Ford is a major figure of the modernist age, yet many of his works do not fulfil the expectations associated with the category of modernism. In "Ford Madox Ford and the Misfit Moderns", the author examines the ways in which Ford, alongside other 'misfit moderns' (Richard Aldington, Arnold Bennett, Joseph Conrad, Robert Graves, Siegfried Sassoon, H. G. Wells, and Rebecca West), destabilises the fundamental structures and forces that shape all narratives, from the processes of characterisation and plotting to the distinction between autobiography and fiction. In so doing, Ford exhibits a form of 'in-betweenness' that constitutes an exemplary responsiveness to the conditions of modernity whilst challenging many of our assumptions about early twentieth-century writing. Offering original readings of Ford's Edwardian fiction and First World War writing, this book poses wide-ranging questions about the nature of narrative and the distinction between modernism and modernity.
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