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Narrating the past through theatre =...

Bennett, Michael Y., (1980-)

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Narrating the past through theatre = four crucial texts /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Narrating the past through theatre/ by Michael Y. Bennett.
Reminder of title:	four crucial texts /
Author:	Bennett, Michael Y.,
Published:	Basingstoke :Palgrave : 2012.,
Description:	1 online resource (108 p.)
[NT 15003449]:	Introduction: Translating History's Narratives on the Modern Stage -- Danton's Memory: Structural Impossibilities in Buchner's "Danton's Death" -- Salome's Tale Jokanaan's Telling Wilde's Retelling: Historical Relativity and (Un)specificity in Wilde's "Salome" -- Galileo's Narrative: Translating 'Conditions' in Brecht's "Life of Galileo".
Subject:	European drama - History and criticism. - 19th century -
Online resource:	http://www.palgraveconnect.com/doifinder/10.1057/9781137275424
ISBN:	9781137275417 (Cloth)

Narrating the past through theatre = four crucial texts /
Bennett, Michael Y.,1980-

Narrating the past through theatrefour crucial texts /[electronic resource] :by Michael Y. Bennett. - Basingstoke :Palgrave2012. - 1 online resource (108 p.)

Bibl. ref. & index

Introduction: Translating History's Narratives on the Modern Stage -- Danton's Memory: Structural Impossibilities in Buchner's "Danton's Death" -- Salome's Tale Jokanaan's Telling Wilde's Retelling: Historical Relativity and (Un)specificity in Wilde's "Salome" -- Galileo's Narrative: Translating 'Conditions' in Brecht's "Life of Galileo".

This cutting-edge Palgrave Pivot title explores how narrating the past through theatre both conflicts and creates an interesting relationship with drama's continuing present that arcs towards an unpredictable future. Examining three influential historical adaptations that span the time frame of modern drama (from the 'first' modern play to the cusp of WWII) -- Georg Buchner's "Danton's Death", Oscar Wilde's "Salome", and Bertolt Brecht's "Life of Galileo" -- this book delves into modern drama's sense and perception of time and its effect upon both the present and the future. Theatre both brings the past alive and also fixes it, but through the performance process (i.e., through the choices the director and actors make), allowing the past to be molded for future (not-yet-existent) audiences. Translated to the stage, the tense of the past (in a historical adaptation), then, is always (in both the present and the future): both in its limitation to a strict time and place and in its timelessness.

ISBN: 9781137275417 (Cloth)

Source: 402992MILSubjects--Personal Names:

1976610
B�uchner, Georg,
1813-1837.English.Dantons Tod.Subjects--Topical Terms:

722200
European drama
--History and criticism.--19th centuryIndex Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1872

Dewey Class. No.: 809.2

Narrating the past through theatre = four crucial texts /
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300 $a 1 online resource (108 p.)
504 $a Bibl. ref. & index
505 0 $a Introduction: Translating History's Narratives on the Modern Stage -- Danton's Memory: Structural Impossibilities in Buchner's "Danton's Death" -- Salome's Tale Jokanaan's Telling Wilde's Retelling: Historical Relativity and (Un)specificity in Wilde's "Salome" -- Galileo's Narrative: Translating 'Conditions' in Brecht's "Life of Galileo".
520 $a This cutting-edge Palgrave Pivot title explores how narrating the past through theatre both conflicts and creates an interesting relationship with drama's continuing present that arcs towards an unpredictable future. Examining three influential historical adaptations that span the time frame of modern drama (from the 'first' modern play to the cusp of WWII) -- Georg Buchner's "Danton's Death", Oscar Wilde's "Salome", and Bertolt Brecht's "Life of Galileo" -- this book delves into modern drama's sense and perception of time and its effect upon both the present and the future. Theatre both brings the past alive and also fixes it, but through the performance process (i.e., through the choices the director and actors make), allowing the past to be molded for future (not-yet-existent) audiences. Translated to the stage, the tense of the past (in a historical adaptation), then, is always (in both the present and the future): both in its limitation to a strict time and place and in its timelessness.
588 $a Description based on print version record.
600 1 0 $a B�uchner, Georg, $d 1813-1837. $t Dantons Tod. $l English. $3 1976610
600 1 0 $a Wilde, Oscar, $d 1854-1900. $3 525299
600 1 0 $a Brecht, Bertolt, $d 1898-1956. $3 623968
650 0 $a European drama $y 19th century $x History and criticism. $3 722200
650 0 $a European drama $y 20th century $x History and criticism. $3 722201
650 7 $a BIOGRAPHY & AUTOBIOGRAPHY / Literary $2 bisacsh $3 1598862
655 7 $a Electronic books. $2 lcsh $3 542853
776 0 8 $i Print version: $w ()9781137275417 $z 9781283717427
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