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Post-war modernist cinema and philos...

Ford, Hamish, (1970-)

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Post-war modernist cinema and philosophy = confronting negativity and time /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Post-war modernist cinema and philosophy/ Hamish Ford.
Reminder of title:	confronting negativity and time /
Author:	Ford, Hamish,
Published:	Houndsmills, Basingstoke, Hampshire ;Palgrave Macmillan, : 2012.,
Description:	1 online resource.
[NT 15003449]:	Introduction -- PART I: THE NEGATIVE IMPRESSION -- Cinema's Ontological Challenge -- Reflexive Formal Violence -- PART II: AN ANXIOUS PAUSE -- Dangerous Temporalities -- A New World.
Subject:	Motion pictures - Philosophy. -
Online resource:	http://www.palgraveconnect.com/doifinder/10.1057/9781137283528
ISBN:	9781137283528 (electronic bk.)

Post-war modernist cinema and philosophy = confronting negativity and time /
Ford, Hamish,1970-

Post-war modernist cinema and philosophyconfronting negativity and time /[electronic resource] :Hamish Ford. - Houndsmills, Basingstoke, Hampshire ;Palgrave Macmillan,2012. - 1 online resource.

Includes bibliographical references and index.

Introduction -- PART I: THE NEGATIVE IMPRESSION -- Cinema's Ontological Challenge -- Reflexive Formal Violence -- PART II: AN ANXIOUS PAUSE -- Dangerous Temporalities -- A New World.

Directly contributing to the growing interdisciplinary areas of film-philosophy and modernist studies, as well as film history and theory, Post-War Modernist Cinema and Philosophy: Confronting Negativity and Time analyses four exemplary 1960s European films. Persona (Ingmar Bergman, 1966) and Two or Three Things I Know About Her (Jean-Luc Godard, 1966) are addressed for their unique contributions to the philosophical understanding of negativity, a discussion for which German philosopher Theodor Adorno's late work is the main literary source. Last Year in Marienbad (Alain Resnais, 1961) and L'eclisse (Michelangelo Antonioni, 1962) are read through their contrasting subversive renderings of temporality, an analysis selectively utilising French philosopher Gilles Deleuze's notion of the 'time-image'. Appropriate for both academic readers and informed general enthusiasts of the cinema it addresses, the book demonstrates both philosophy's particular usefulness for the analysis of modernist cinema and film form's inherent potential for radical philosophical impact.

ISBN: 9781137283528 (electronic bk.)

Source: 550238Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

550295
Motion pictures
--Philosophy.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1995 / .F595 2012

Dewey Class. No.: 791.4301

Post-war modernist cinema and philosophy = confronting negativity and time /
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