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Islands of love: Europe, "India", a...

Nocentelli-Truett, Carmen.

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Islands of love: Europe, "India", and interracial romance (Luis de Camoes, Portugal, Jan Huygen van Linschoten, The Netherlands, Bartolome Leonardo de Argensola, Spain, John Fletcher, John Dryden).

Record Type:	Electronic resources : Monograph/item
Title/Author:	Islands of love: Europe, "India", and interracial romance (Luis de Camoes, Portugal, Jan Huygen van Linschoten, The Netherlands, Bartolome Leonardo de Argensola, Spain, John Fletcher, John Dryden)./
Author:	Nocentelli-Truett, Carmen.
Description:	153 p.
Notes:	Source: Dissertation Abstracts International, Volume: 65-04, Section: A, page: 1358.
Contained By:	Dissertation Abstracts International65-04A.
Subject:	Literature, Comparative. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3128447
ISBN:	0496757091

Islands of love: Europe, "India", and interracial romance (Luis de Camoes, Portugal, Jan Huygen van Linschoten, The Netherlands, Bartolome Leonardo de Argensola, Spain, John Fletcher, John Dryden).
Nocentelli-Truett, Carmen.

Islands of love: Europe, "India", and interracial romance (Luis de Camoes, Portugal, Jan Huygen van Linschoten, The Netherlands, Bartolome Leonardo de Argensola, Spain, John Fletcher, John Dryden). - 153 p.

Source: Dissertation Abstracts International, Volume: 65-04, Section: A, page: 1358.

Thesis (Ph.D.)--Stanford University, 2004.

This study discusses the role of interracial romance in the discourses of early modern expansion into South and Southeast Asia. I focus on poems, travelogues, histories, and plays---including Camoes's Os Lusiadas, van Linschoten's Itinerario, Argensola's Conquista de las islas Malucas, Fletcher's The Island Princess, and Dryden's Amboyna---that juggle the mutually constituted categories of race, class, and gender in an effort to celebrate and naturalize certain structures of dominance both at home and abroad. Taken collectively, these texts compellingly suggest that the 'mixed' heterosexual couple played a crucial function in plots of nation-making and empire-building. While the pragmatics of these imbricated projects varied enormously, interracial romance defined an area where their discursive strategies remained relatively consistent: by privileging certain cultural competencies and dictating certain sexual prescriptions, they marked the boundaries of an emerging modern (European, bourgeois) subjectivity.

ISBN: 0496757091Subjects--Topical Terms:

530051
Literature, Comparative.

Islands of love: Europe, "India", and interracial romance (Luis de Camoes, Portugal, Jan Huygen van Linschoten, The Netherlands, Bartolome Leonardo de Argensola, Spain, John Fletcher, John Dryden).
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245 1 0 $a Islands of love: Europe, "India", and interracial romance (Luis de Camoes, Portugal, Jan Huygen van Linschoten, The Netherlands, Bartolome Leonardo de Argensola, Spain, John Fletcher, John Dryden).
300 $a 153 p.
500 $a Source: Dissertation Abstracts International, Volume: 65-04, Section: A, page: 1358.
500 $a Advisers: Hans Ulrich Gumbrecht; Stephen Orgel.
502 $a Thesis (Ph.D.)--Stanford University, 2004.
520 $a This study discusses the role of interracial romance in the discourses of early modern expansion into South and Southeast Asia. I focus on poems, travelogues, histories, and plays---including Camoes's Os Lusiadas, van Linschoten's Itinerario, Argensola's Conquista de las islas Malucas, Fletcher's The Island Princess, and Dryden's Amboyna---that juggle the mutually constituted categories of race, class, and gender in an effort to celebrate and naturalize certain structures of dominance both at home and abroad. Taken collectively, these texts compellingly suggest that the 'mixed' heterosexual couple played a crucial function in plots of nation-making and empire-building. While the pragmatics of these imbricated projects varied enormously, interracial romance defined an area where their discursive strategies remained relatively consistent: by privileging certain cultural competencies and dictating certain sexual prescriptions, they marked the boundaries of an emerging modern (European, bourgeois) subjectivity.
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