東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back to Search results for [ null ]

Switch To: Labeled | MARC Mode | ISBD

The illustration of Virgil's "Bucoli...

Guest, Emma T. K.

Linked to FindBook

Google Book

Amazon

博客來

The illustration of Virgil's "Bucolics" and its influence in Italian Renaissance art.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The illustration of Virgil's "Bucolics" and its influence in Italian Renaissance art./
Author:	Guest, Emma T. K.
Description:	408 p.
Notes:	Source: Dissertation Abstracts International, Volume: 66-05, Section: A, page: 1529.
Contained By:	Dissertation Abstracts International66-05A.
Subject:	Art History. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3176179
ISBN:	0542156148

The illustration of Virgil's "Bucolics" and its influence in Italian Renaissance art.
Guest, Emma T. K.

The illustration of Virgil's "Bucolics" and its influence in Italian Renaissance art. - 408 p.

Source: Dissertation Abstracts International, Volume: 66-05, Section: A, page: 1529.

Thesis (Ph.D.)--Rutgers The State University of New Jersey - New Brunswick, 2005.

The Illustration of Virgil's Bucolics and its Influence in Italian Renaissance Art demonstrates that a specific Virgilian iconography developed in the Late Classical period and the Middle Ages for Virgil's Bucolics. This iconography continued in manuscript and printed book illumination in the Renaissance, and played a major role in the development of pastoral subjects in independent paintings. While scholars of pastoral themes in art have often cited Virgil as a literary influence, the role of the illustration of Virgil's bucolic poetry as a visual resource has not been examined. I first examine Virgil's literary role in the Italian Renaissance, starting with his biography and his status in the Middle Ages, to then turn to his influence as literary model on Trecento Italian writers, followed by a survey of his place in the studia humanitatis and Renaissance education. The body of my dissertation is an examination of a representative selection of major illustrated Virgilian texts (approximately sixty manuscripts and printed books), dating from the Late Classical period, through the Middle Ages and into the Renaissance, to follow trends and developments in the iconography of specific Virgilian themes. I then address the rise of pastoral motifs in Venetian drawings, prints and paintings in the late Quattrocento and the early Cinquecento to demonstrate close visual ties between traditional motifs for the illustration of Virgil and new pastoral themes in the visual arts. My dissertation analyses in detail Virgil's impact on visual culture in the Renaissance, and I demonstrate a new source for the rise of pastoral themes in Renaissance poetry and monumental painting.

ISBN: 0542156148Subjects--Topical Terms:

635474
Art History.

The illustration of Virgil's "Bucolics" and its influence in Italian Renaissance art.
LDR:02625nmm 2200277 4500 001 1817032
005 20060816133907.5
008 130610s2005 eng d
020 $a 0542156148
035 $a (UnM)AAI3176179
035 $a AAI3176179
040 $a UnM $c UnM
100 1 $a Guest, Emma T. K. $3 1906397
245 1 4 $a The illustration of Virgil's "Bucolics" and its influence in Italian Renaissance art.
300 $a 408 p.
500 $a Source: Dissertation Abstracts International, Volume: 66-05, Section: A, page: 1529.
500 $a Director: Sarah Blake McHam.
502 $a Thesis (Ph.D.)--Rutgers The State University of New Jersey - New Brunswick, 2005.
520 $a The Illustration of Virgil's Bucolics and its Influence in Italian Renaissance Art demonstrates that a specific Virgilian iconography developed in the Late Classical period and the Middle Ages for Virgil's Bucolics. This iconography continued in manuscript and printed book illumination in the Renaissance, and played a major role in the development of pastoral subjects in independent paintings. While scholars of pastoral themes in art have often cited Virgil as a literary influence, the role of the illustration of Virgil's bucolic poetry as a visual resource has not been examined. I first examine Virgil's literary role in the Italian Renaissance, starting with his biography and his status in the Middle Ages, to then turn to his influence as literary model on Trecento Italian writers, followed by a survey of his place in the studia humanitatis and Renaissance education. The body of my dissertation is an examination of a representative selection of major illustrated Virgilian texts (approximately sixty manuscripts and printed books), dating from the Late Classical period, through the Middle Ages and into the Renaissance, to follow trends and developments in the iconography of specific Virgilian themes. I then address the rise of pastoral motifs in Venetian drawings, prints and paintings in the late Quattrocento and the early Cinquecento to demonstrate close visual ties between traditional motifs for the illustration of Virgil and new pastoral themes in the visual arts. My dissertation analyses in detail Virgil's impact on visual culture in the Renaissance, and I demonstrate a new source for the rise of pastoral themes in Renaissance poetry and monumental painting.
590 $a School code: 0190.
650 4 $a Art History. $3 635474
650 4 $a Language, Ancient. $3 1018100
690 $a 0377
690 $a 0289
710 2 0 $a Rutgers The State University of New Jersey - New Brunswick. $3 1017590
773 0 $t Dissertation Abstracts International $g 66-05A.
790 1 0 $a McHam, Sarah Blake, $e advisor
790 $a 0190
791 $a Ph.D.
792 $a 2005
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3176179