東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back to Search results for [ null ]

Switch To: Labeled | MARC Mode | ISBD

Japan Encounters the Avant-Garde: Th...

Wu, Chinghsin.

Linked to FindBook

Google Book

Amazon

博客來

Japan Encounters the Avant-Garde: The Art and Thought of Koga Harue, 1895--1933.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Japan Encounters the Avant-Garde: The Art and Thought of Koga Harue, 1895--1933./
Author:	Wu, Chinghsin.
Description:	356 p.
Notes:	Source: Dissertation Abstracts International, Volume: 72-04, Section: A, page: .
Contained By:	Dissertation Abstracts International72-04A.
Subject:	Asian Studies. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3446789
ISBN:	9781124506333

Japan Encounters the Avant-Garde: The Art and Thought of Koga Harue, 1895--1933.
Wu, Chinghsin.

Japan Encounters the Avant-Garde: The Art and Thought of Koga Harue, 1895--1933. - 356 p.

Source: Dissertation Abstracts International, Volume: 72-04, Section: A, page: .

Thesis (Ph.D.)--University of California, Los Angeles, 2010.

This dissertation examines the art and thought of a Japanese avant-garde painter, Koga Harue (1985-1933), within the context of the reception of Western avant-garde art movements in 1920s and 1930s Japan, especially Cubism, German Expressionism and Surrealism. Rather than viewing the Japanese avant-garde as an "incomplete" practice or primarily an imitation of European avant-garde movements, as previous scholarship has often argued, my approach is to recover the initial historical moments when these three avant-garde movements were first introduced into Japan by examining the contending interpretations of and responses to these movements offered by Japanese artists and critics at the time and to situate their arguments within the context of the broader development of western-style paintings in modern Japan.

ISBN: 9781124506333Subjects--Topical Terms:

1669375
Asian Studies.

Japan Encounters the Avant-Garde: The Art and Thought of Koga Harue, 1895--1933.
LDR:02626nam 2200289 4500 001 1398924
005 20110915090309.5
008 130515s2010 ||||||||||||||||| ||eng d
020 $a 9781124506333
035 $a (UMI)AAI3446789
035 $a AAI3446789
040 $a UMI $c UMI
100 1 $a Wu, Chinghsin. $3 1677844
245 1 0 $a Japan Encounters the Avant-Garde: The Art and Thought of Koga Harue, 1895--1933.
300 $a 356 p.
500 $a Source: Dissertation Abstracts International, Volume: 72-04, Section: A, page: .
500 $a Adviser: Donald F. McCallum.
502 $a Thesis (Ph.D.)--University of California, Los Angeles, 2010.
520 $a This dissertation examines the art and thought of a Japanese avant-garde painter, Koga Harue (1985-1933), within the context of the reception of Western avant-garde art movements in 1920s and 1930s Japan, especially Cubism, German Expressionism and Surrealism. Rather than viewing the Japanese avant-garde as an "incomplete" practice or primarily an imitation of European avant-garde movements, as previous scholarship has often argued, my approach is to recover the initial historical moments when these three avant-garde movements were first introduced into Japan by examining the contending interpretations of and responses to these movements offered by Japanese artists and critics at the time and to situate their arguments within the context of the broader development of western-style paintings in modern Japan.
520 $a My research demonstrates that these kinds of visual encounters did not consist of one-time acts of passive reception but comprised a continual and active process of translation, transformation, and adaptation to suit local social, political, and cultural contexts. Indeed, Koga's art theories did not directly engage with the original Western art movements but rather, primarily developed in response to the ideas and theories of contemporary Japanese critics about the purpose and function of art. His paintings embodied this process of transformation and translation and syncretically amalgamated multiple styles and motifs in order to best suit the contemporary artistic exigencies of the Japanese context, to more directly express his personal fantasies or inner worlds, or to more succinctly convey his expectations and misgivings about Japan's rapidly changing modern society.
590 $a School code: 0031.
650 4 $a Asian Studies. $3 1669375
650 4 $a Art History. $3 635474
690 $a 0342
690 $a 0377
710 2 $a University of California, Los Angeles. $3 626622
773 0 $t Dissertation Abstracts International $g 72-04A.
790 1 0 $a McCallum, Donald F., $e advisor
790 $a 0031
791 $a Ph.D.
792 $a 2010
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3446789