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"A big, beautiful mess": Collectivit...

Dahlman, Ian.

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"A big, beautiful mess": Collectivity, capitalism, Arts & Crafts and Broken Social Scene.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	"A big, beautiful mess": Collectivity, capitalism, Arts & Crafts and Broken Social Scene./
Author:	Dahlman, Ian.
Description:	152 p.
Notes:	Source: Masters Abstracts International, Volume: 48-04, page: 1970.
Contained By:	Masters Abstracts International48-04.
Subject:	Anthropology, Cultural. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MR59032
ISBN:	9780494590324

"A big, beautiful mess": Collectivity, capitalism, Arts & Crafts and Broken Social Scene.
Dahlman, Ian.

"A big, beautiful mess": Collectivity, capitalism, Arts & Crafts and Broken Social Scene. - 152 p.

Source: Masters Abstracts International, Volume: 48-04, page: 1970.

Thesis (M.A.)--Ryerson University (Canada), 2009.

The aim of this thesis is to critically examine the emergence of new forms of collectivity in Canadian independent popular music. A case study was conducted centring on the Toronto-based collective Broken Social Scene and its label Arts & Crafts, and original interviews were conducted with Stuart Berman, Charles Spearin, Jason Collett, Jeffrey Remedios and Brendan Canning. An analysis of the major labels and a history of the sensibilities of independent artists establish the habitus of an independent artist at the end of the 1990s. The particulars of Toronto's music scene show the organic origins of the band's collectivity to be in process-based composition and performance. Broken Social Scene's political economy and internal dynamics suggest that Arts & Crafts acts as an aegis for the group's membership and processes. Finally, Broken Social Scene's metaphorical self conceptualization reveals the important structuring role the paradoxical affect of love plays for the group.

ISBN: 9780494590324Subjects--Topical Terms:

735016
Anthropology, Cultural.

"A big, beautiful mess": Collectivity, capitalism, Arts & Crafts and Broken Social Scene.
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245 1 3 $a "A big, beautiful mess": Collectivity, capitalism, Arts & Crafts and Broken Social Scene.
300 $a 152 p.
500 $a Source: Masters Abstracts International, Volume: 48-04, page: 1970.
502 $a Thesis (M.A.)--Ryerson University (Canada), 2009.
520 $a The aim of this thesis is to critically examine the emergence of new forms of collectivity in Canadian independent popular music. A case study was conducted centring on the Toronto-based collective Broken Social Scene and its label Arts & Crafts, and original interviews were conducted with Stuart Berman, Charles Spearin, Jason Collett, Jeffrey Remedios and Brendan Canning. An analysis of the major labels and a history of the sensibilities of independent artists establish the habitus of an independent artist at the end of the 1990s. The particulars of Toronto's music scene show the organic origins of the band's collectivity to be in process-based composition and performance. Broken Social Scene's political economy and internal dynamics suggest that Arts & Crafts acts as an aegis for the group's membership and processes. Finally, Broken Social Scene's metaphorical self conceptualization reveals the important structuring role the paradoxical affect of love plays for the group.
590 $a School code: 1428.
650 4 $a Anthropology, Cultural. $3 735016
650 4 $a Canadian Studies. $3 1020605
650 4 $a Music. $3 516178
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710 2 $a Ryerson University (Canada). $3 1029949
773 0 $t Masters Abstracts International $g 48-04.
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